Touch line Brush (Vertical horizontal line) (タッチ線ブラシ(タテヨコパース線)) タッチ線ブラシ(タテヨコパース線)

Content ID：1993932

2,014

- Report to administrator

100 GOLD

背景職人の館

Translated by

Because it was convenient when I made it for my manuscript and used it
I tried to increase the type to improve. There are 31 types and 10 designs. 自分の原稿用に作って使ってみたらメチャクチャ便利だったので
改良し種類を増やしてみました。31種類・10デザインあります。

Ｃ～Ｅ各種は先端構成のベースは同じですがそれぞれ設定を変えています。
（数値の変更無しにそのまま、すぐパパッと使えるようにと思い登録しました）

グラデで影をつけるならこうするなと考えて
その濃度を意識しストローク・重ねていくといいかなぁと思います。

パースに合わせてのストロークや線の長さ変更の厚み調整、
その他いろいろな調整については
下にある「ブラシの使い方」を参照してください。

I made it for my manuscript and used it, so it was very convenient
I improved it and increased the variety. There are 31 types and 10 designs.

The base of the tip configuration is the same for C to E types, but each setting is different.
(I am registering so that I can use it immediately without changing the numerical value)

Try overlapping strokes at intervals that cast shadows with a gradient.

Stroke, line length and thickness adjustment according to the perspective,
For other adjustments
See "How to use brushes" below.

★☆★　使用例・Example of use　★☆★

録画に使ったブラシは録画枠サイズの関係もあり
様々な数値を調整して描いたもので録画しています。
（厚さ・間隔、ランダムの数値など）

The brushes used for recording are recorded with various values adjusted due to the recording frame size.
(thickness, spacing, random numbers, etc.)

How to use the brush

A… Cross brush (A-B 1-2)
An image will appear each time you stamp.
To change the orientation, transform after drawing, or use the sub tool details/tool properties to flip left/right/up/down.
When the image disappears, pull the control point on the edge and it will appear.

B… Vertical and horizontal brushes (C-E, 1-2, 4-5, 7-8)
Only vertical lines will appear for vertical lines, and only horizontal lines will appear for horizontal lines.
If you draw diagonally, the space between lines will be narrower.
If you want to add perspective, please transform it.

C… Perspective brush (C-E, 3/6/9)
Overlap the vanishing point of the perspective you want to create and the center of the concentric circle ruler.
Stroke using only the concentric circle ruler.
If you draw without using a ruler, the direction will be different, so be careful.

D… Change length and thickness
If you want to change only the length, adjust the "thickness" value in the sub tool details or tool properties.
If you want to change both, use brush size change.

E… Darken
Use brushes 1-3 and fill in the gaps with brushes 4-9.
The trick is to stack them while carefully checking the balance.
If you mix lines with different lengths, such as the "thickness change" mentioned above, you will get a natural variation in the tip.

F… Streamlines, concentrated lines, cross-hatching
Cross-hatching: Uses an evenly spaced brush dedicated to perspective. Draw vertically and horizontally. Copy and paste to overlap. Alternatively, draw in a vector and remove control points other than the ends. Operate the point or handle to rotate it little by little and layer it.

Stream-line: Use a brush dedicated to perspective. Draw diagonally with a parallel line ruler, or draw on a vector and place it by manipulating control points. Create a streamline by changing the numerical value of the sub tool details and tool properties, or transforming what you have drawn.

Concentrated lines: Use a random brush dedicated to perspective. Draw according to the concentric circle ruler or the circle of the figure ruler.

G… Application of vector layers and masks
Mask the part outside the display range. Draw in vector and move the brush image with the object tool to adjust the appearance.
Draw vertical and horizontal brushes at once, then add control points to create a wavy shape and adjust the visible range.
The steeper the height difference between the points, the narrower the interval between the tip images.
You can create a more random feeling by drawing little by little and arranging them, or by increasing or decreasing the thickness numbers.
I use a perspective brush to rotate cross-hatching and streamlines.

H… Change line quality and line width
Vector → Raster → Vector and layer conversion.
If the first is raster, then only vector conversion.

Line quality change:Change with sub tool details and brush shape.
(The image has been changed to a textured pen.) The image below is an enlarged image.

Line Width Correction: Change with the sub tool and line width correction.

★ ☆ ★ List OF MATERIALS ★ ☆ ★
Recording Material List

The list here also serves as a reference for how it looks when layered.
In fact, it is a brush that can be drawn individually.

★ ☆ ★ ☆ ★ ☆ ★ ☆ ★ ☆ + ★ ☆ ★ ☆ ★ ☆ ★ ☆

Many types (CDE1 to 3) where the brush looks thin
Random-type brushes (CDE4-6) are drawn gap
Adjust the random brush spacing and its random numbers
Please try to get a good feeling of the bunch.

The lines in the bunch, and the cross brush lines and the gap of line
I put out a sense of analog to be natural by out-swinging to the width.

Cutting the line of various tip images so that it becomes beautiful with shoes!
I created it by the control point operation by the dot unit by one single vector.
The end position is adjusted to be random appearance good feeling.

Use a random brush (CDE4 to 6) to fill in the gaps in the areas that look faint.
Alternatively, use a random brush and change the spacing value to make the lines look neat.

The lines in the bundle, and the line-to-line spacing of the cross brush are
The width fluctuates to create a natural analog feel.

Both ends of the line are smooth and thin.
It was created by manipulating the control points of the dot unit one by one with the vector.

Created in 600dpi, monochrome 2-value, transparent brush without a white background.
Main color change allowed.

Created at 600dpi, monochrome binary brush material with no white background.
Main color can be changed.

Reference
Each line width → fat... 1 to 8px, fine... 1 to 5px, fine... 1 to 3px.
Brush registration size → long... 8cm, Short... 4cm, Cross... 7 x 7cm

Reference
Line width → thik... 1 to 8px, Med... 1 to 5px, thin... 1 to 3px.
Registered size → L (long)... 8cm, S (short)... 4cm, Crossing... 7 x 7cm

Because the explanation image is a sample, I put a line and a character. It is not in the actual material.

Since the image for explanation is a sample, a line and font is inserted. It is not included in the actual material.

グラデで影をつけるならこうするなと考えて
その濃度を意識しストローク・重ねていくといいかなぁと思います。

パースに合わせてのストロークや線の長さ変更の厚み調整、
その他いろいろな調整については
下にある「ブラシの使い方」を参照してください。

I made it for my manuscript and used it, so it was very convenient
I improved it and increased the variety. There are 31 types and 10 designs.

The base of the tip configuration is the same for C to E types, but each setting is different.
(I am registering so that I can use it immediately without changing the numerical value)

Try overlapping strokes at intervals that cast shadows with a gradient.

Stroke, line length and thickness adjustment according to the perspective,
For other adjustments
See "How to use brushes" below.

★☆★　使用例・Example of use　★☆★

録画に使ったブラシは録画枠サイズの関係もあり
様々な数値を調整して描いたもので録画しています。
（厚さ・間隔、ランダムの数値など）

The brushes used for recording are recorded with various values adjusted due to the recording frame size.
(thickness, spacing, random numbers, etc.)

How to use the brush

A…Cross brush (A-B 1-2)
An image will appear each time you stamp.
To change the orientation, transform after drawing, or use the sub tool details/tool properties to flip left/right/up/down.
When the image disappears, pull the control point on the edge and it will appear.

B…Vertical and horizontal brushes (C-E, 1-2, 4-5, 7-8)
Only vertical lines will appear for vertical lines, and only horizontal lines will appear for horizontal lines.
If you draw diagonally, the space between lines will be narrower.
If you want to add perspective, please transform it.

C…Perspective brush (C-E, 3/6/9)
Overlap the vanishing point of the perspective you want to create and the center of the concentric circle ruler.
Stroke using only the concentric circle ruler.
If you draw without using a ruler, the direction will be different, so be careful.

D…Change length and thickness
If you want to change only the length, adjust the "thickness" value in the sub tool details or tool properties.
If you want to change both, use brush size change.

E…Darken
Use brushes 1-3 and fill in the gaps with brushes 4-9.
The trick is to stack them while carefully checking the balance.
If you mix lines with different lengths, such as the "thickness change" mentioned above, you will get a natural variation in the tip.

F…Streamlines, concentrated lines, cross-hatching
Cross-hatching: Uses an evenly spaced brush dedicated to perspective. Draw vertically and horizontally. Copy and paste to overlap. Alternatively, draw in a vector and remove control points other than the ends. Operate the point or handle to rotate it little by little and layer it.

Concentrated lines: Use a random brush dedicated to perspective. Draw according to the concentric circle ruler or the circle of the figure ruler.

G…Application of vector layers and masks
Mask the part outside the display range. Draw in vector and move the brush image with the object tool to adjust the appearance.
Draw vertical and horizontal brushes at once, then add control points to create a wavy shape and adjust the visible range.
The steeper the height difference between the points, the narrower the interval between the tip images.
You can create a more random feeling by drawing little by little and arranging them, or by increasing or decreasing the thickness numbers.
I use a perspective brush to rotate cross-hatching and streamlines.

H…Change line quality and line width
Vector → Raster → Vector and layer conversion.
If the first is raster, then only vector conversion.

Line quality change:Change with sub tool details and brush shape.
(The image has been changed to a textured pen.) The image below is an enlarged image.

Line Width Correction: Change with the sub tool and line width correction.

★☆★　収録素材一覧　★☆★
Recording material list

The list here also serves as a reference for how it looks when layered.
In fact, it is a brush that can be drawn individually.

★ ☆ ★ ☆ ★ ☆ ★ ☆ ★ ☆ ★ ☆ ★ ☆ ★ ☆ ★ ☆ ★ ☆

多種類（CDE1～3）ブラシで見た目が薄いなと思う箇所などを
ランダム系ブラシ（CDE4～6）をスキマに重ねて描いたり、
ランダム系ブラシの間隔とそのランダム数値を調整して
束がいい感じに出るようにしてみてくださいね。

束の中の線、そしてクロスブラシの線と線の間隔は
幅にゆらぎを出して自然になるようなアナログ感を出しています。

各種先端画像の線の抜きはシュ～ッとキレイになるよう
一本一本ベクターにてドット単位での制御点操作にて作成しました。
抜き終了位置は見た目いい感じなランダムになるよう調整しています。

Use a random brush (CDE4 to 6) to fill in the gaps in the areas that look faint.
Alternatively, use a random brush and change the spacing value to make the lines look neat.

The lines in the bundle, and the line-to-line spacing of the cross brush are
The width fluctuates to create a natural analog feel.

Both ends of the line are smooth and thin.
It was created by manipulating the control points of the dot unit one by one with the vector.

600dpiにて作成・モノクロ二値、白地無しの透過ブラシです。
メインカラー変更可。

Created at 600dpi, monochrome binary brush material with no white background.
Main color can be changed.

【参考】
それぞれの線幅 →太…1～8px、中細…1～5px、細…1～3px
ブラシ登録サイズ→長…8cm、短…4cm、クロス…7×7cm

【Reference】
Line width → thik…1～8px, med…1～5px, thin…1～3px
Registered size → L(long)…8cm, S(short)…4cm, Crossing…7×7cm

説明用の画像はサンプルなので線や文字を入れています。実際の素材には入っていません。

Since the image for explanation is a sample, a line and font is inserted. It is not included in the actual material.

A1-2-B1-2 cross Wire A1-2・B1-2 クロス線

C1-9 Short, medium and thin line C1-9 短・中細線

D1-9 Long and Tai Line D1-9 長・太線

E1-9 long, thin wire E1-9 長・細線

Content ID：1993932

Published : 1 year ago

Last updated : 1 year ago

Gift

You can gift 10 Clippy tokens up to 5 times

背景職人の館's profile Go to profile

みなさまのお役に立てたら嬉しいです。ゆっくりとご覧くださいね。丁寧さを心掛け、良い素材になるよう頑張っていますので、どうぞよろしくお願いします。それゆえ時間がかかるのと、仕事のスケジュールがランダムなので、出品の間が空くことがあります。いいねやギフト、ありがとうございます。励みになります～。普段はアシ・イラスト・マンガなど絵職人やってます。

Search this user’s materials