It is a "kimono collar" made of 3D material.
You can combine it with 3D drawing figure and use it as a draft atari.
3D素材の「着物の衿」です。
3Dデッサン人形に組み合わせて、下描きのアタリとして使うことができます。
For both men and women, there is a "yukata" collar that does not wear a kimono underneath and a "kimono" collar that peeks out of the half-collar of the kimono.
There are two types of kimono: "Women's Kimono Collar A," which is a modern kimono that does not show a short collar, and "Women's Kimono Collar B," which is a retro and casual kimono that makes the half-collar look larger.
Load this "collar" material on the same layer where you first loaded the drawing doll on the canvas and adjust its position.
In the case of CLIP STUDIO Ver.2.2 or later versions, you can form a parent-child relationship with the body of the drawing doll as the parent and the collar as the child.
If you have a parent-child relationship, the collar will move with you when you move your body, so you don't have to adjust the position after applying the pose.
To form a parent-child relationship, in the "object list" of "sub tool detail", drag the object you want to make a child and overlay it on the object you want to make a parent. It's a little difficult to drag on the iPad, but it may be a good idea to do it with a long finger press instead of the Apple Pencil.
After making it a parent and child, select the child's object and set the "Attachment destination part".
In the case of this "collar", set it to "torso", and then align the collar with the doll.
After that, even if you let the doll pose or apply the pose, the position of the collar will follow the neck properly.
The collar of the kimono is roughly aligned like this.
The scale is generally based on realism and matches the body shape of the drawing doll, but the current CLIP STUDIO 3D can be individually sized for each object, so it can be adapted to the drawing doll with a customize body shape to some extent.
Please note that the length of the collar of each material is the minimum length so as not to interfere too much with the "torso", so the end of this object is not intended to be the "hanging collar line".
I think that the "women's kimono collar AB" can be the line of the hanging collar around the end of this object, but I think the other position is a little too high.
男女とも、下に襦袢を着ない「浴衣」の衿と、襦袢の半衿の覗く「着物」の衿があります。
「女着物」は、現代風のあまり半衿を見せない着付けの「女着物衿a」と、レトロでカジュアルな半衿を大きく見せる着付けの「女着物衿b」があります。
キャンバスにまずデッサン人形を読み込んだ同じレイヤーにこの「衿」素材を読み込んで、位置を調整してください。
クリスタVer.2.2以降のバージョンの場合は、デッサン人形のボディを親、衿を子として親子関係を組むことができます。
親子関係になっていれば、体を動かした場合に衿も一緒に動くので、ポーズを適用させたあとに位置を調整しなくてもすみます。
親子関係を組むには、「サブツール詳細」の「オブジェクトリスト」で、子にしたいオブジェクトをドラッグして親にしたいオブジェクトに重ねます。iPadではちょっとドラッグがやりにくいんですが、Apple Pencilではなく指のロングプレスでやるといいかもしれません。
親子にしたら、子のオブジェクトを選択して「アタッチ先の部位」を設定します。
この「衿」の場合は「胴体」に設定して、その後衿の位置を人形に合わせます。
その後人形にポーズを取らせたりポーズを適用させても、衿の位置はちゃんと首まわりに追随しています。
着物の衿はだいたいこんな感じで位置を合わせます。
スケールはだいたいリアルを基準にしてデッサン人形の体型に合わせていますが、現在クリスタの3Dは、オブジェクトごとに縦横奥行きを個別にサイズ変更ができますので、体型をカスタマイズしたデッサン人形にもある程度合わせることができます。
なお、それぞれの素材の衿の長さは「胴体」にあまり干渉しないように最低限の長さにしているため、このオブジェクトの端が「掛衿の線」になるつもりでは作成していませんので、その点はご注意ください。
「女着物衿ab」はこのオブジェクトの端の位置あたりが掛衿の線でもいいかなと思いますが、その他はちょっと位置が高すぎるかなと思います。
Men's things 男物
Women's Mono 女物
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