"Spectator mobs" of the silhouette, the basic (solid) is 50 bodies.
The black edge is reversed color, and if it uses it by applying it to the + 50 body, it becomes 100 bodies in real.
Because it is a silhouette type, I wonder whether I can use it widely without choosing a pattern very much....
If you reverse the main sub color, black solid can be changed to black Edge white Betamob.
You can also use the same color.
It is a silhouette for Audience Mob Scene. There are 50 pieces. It is a brush.
If you invert the color, you can draw a silhouette of a black outline.
That way it'll be 100 in total.
It can be used in color.
It is a type of silhouette, so it can be applied widely.
シルエットの「観客モブ」、基本（ベタ）50体です。
カラーを逆にして黒フチにし、さらに＋50体応用して使えば、実質100体になります。
シルエットタイプなので、あまり絵柄を選ばないで幅広く使えるかなあ～と…。
メイン・サブカラーを逆にすると、黒ベタが、黒フチ白ベタモブに変更できます。
また、カラーも同様にして使えます。
It is a silhouette for Audience Mob Scene. There are 50 pieces. It is a brush.
If you invert the color, you can draw a silhouette of a black outline.
That way it will be 100 in total.
It can also be used in color.
It is a type of silhouette, so it can be applied widely.
★ ☆ ★... ↓ Use example... ★ ☆ ★
(This use example image is not included in the listing data.)
The left... Live Venue (with a front standing/A1 Brush)
The brush was drawn in black Betamob, and the tone of various concentrations was specified after that and it pasted it.
I'm changing it to a smaller brush size to keep perspective.
(In order to see the tone or balance, I repeat it in another layer)
The brush was drawn in black Betamob, and the tone of various concentrations was specified after that and it pasted it.
I'm changing it to a smaller brush size to keep perspective.
(In order to see the tone or balance, I repeat it in another layer)
Right... Spectator seats, such as sports, with left standing and B1 brushes
I made it with a black Fuchimob, and I drew it by the layer while keeping the pressure in the distance.
Because of the balance of the overlap condition and the perspective, the details are adjusted and deformed.
I made it with a black Fuchimob, and I drew it by the layer while keeping the pressure in the distance.
Because of the balance of the overlap condition and the perspective, the details are adjusted and deformed.
Picture on the left... It is a music venue. (A1 brush use)
I changed the black solid in the far part to the screen tone.
Picture on the right... I used a black outline brush. It is a spectator seat watching sports. (B1 brush use)
Using pen pressure, I wrote a perspective feeling.
Using pen pressure, I wrote a perspective feeling.
★ ☆ ★... ↓ Use example... ★ ☆ ★
(This use example image is not included in the listing data.)
(This use example image is not included in the listing data.)
It is a guy made in various patterns.
One... Black Solid (Basic).
Two... Black Edge, Medium is white solid, (main color white, sub color, black).
Three... It is the one that the various tones were pasted to the brush of 2, and the black Edge was erased from the back.
Four... It is color correspondence. Please change the color of the main and the sub.
If you want to thicken the outside, be sure to thicken the sub color.
Two... Black Edge, Medium is white solid, (main color white, sub color, black).
Three... It is the one that the various tones were pasted to the brush of 2, and the black Edge was erased from the back.
Four... It is color correspondence. Please change the color of the main and the sub.
If you want to thicken the outside, be sure to thicken the sub color.
One... It is black silhouette (basic).
Two... The Edge Line is black, (main color white, sub color black).
Three... ADD a different color to the above No. 2 brush and erase the black border.
Four... It is color correspondence. Please change the main color and sub color.
Points to remember · When darkening the outside, please darken the sub color.
Two... The Edge Line is black, (main color white, sub color black).
Three... ADD a different color to the above No. 2 brush and erase the black border.
Four... It is color correspondence. Please change the main color and sub color.
Points to remember · When darkening the outside, please darken the sub color.
★ ☆ ★... ↓ Use example... ★ ☆ ★
(This use example image is not included in the listing data.)
(This use example image is not included in the listing data.)
I put it on the perspective ruler and drew it.
The right and left-hand brushes provide a sense of perspective with the strength of the pressure.
(If you do not want to take a perspective, remove the pressure from the sub tool detail brush size.)
The front-facing brush does not have pressure.
The right and left-hand brushes provide a sense of perspective with the strength of the pressure.
(If you do not want to take a perspective, remove the pressure from the sub tool detail brush size.)
The front-facing brush does not have pressure.
I wrote using the Perth ruler.
Brushes on the right side and the left side are attached with a sense of perspective with the strength of writing pressure.
Please remove it when it isn't necessary.
There is no pen pressure in the front direction.
Brushes on the right side and the left side are attached with a sense of perspective with the strength of writing pressure.
Please remove it when it isn't necessary.
There is no pen pressure in the front direction.
★ ☆ ★... ↓ Use example... ★ ☆ ★
(This use example image is not included in the listing data.)
(This use example image is not included in the listing data.)
When you are worried about the thick line, please compensate and try thinner.
(This sample uses the color reduction method.)
(This sample uses the color reduction method.)
To the gray layer, anti-aliasing from the Brush tool details
The biggest and right, I will draw mobs of black border.
"Gaussian blur" of the filter to change to a monochrome layer,
The threshold of the layer property was adjusted and the line was thin.
The biggest and right, I will draw mobs of black border.
"Gaussian blur" of the filter to change to a monochrome layer,
The threshold of the layer property was adjusted and the line was thin.
And the line becomes thicker overlapping, such as this line is sluggish and fine,
I sharpened the line by hand manually and tweaked the place where there was discomfort.
I sharpened the line by hand manually and tweaked the place where there was discomfort.
If you are concerned with thick lines, please make it narrower.
I used a color reduction method.
I used a color reduction method.
★ ☆ ★... ↓ Listing data... ★ ☆ ★
The advanced material is a total of 50 bodies (solid basic pink base). There are nine brushes.
The "Black edge" brush on the right side (the frame of the light blue base) is a sample of such a feeling.
These are available for main sub color changes. Please refer to it.
These are available for main sub color changes. Please refer to it.
Total materials are 50 in total. There are nine brushes.
The Edge line is black of the light blue background on the right side is
A reference that the registered tip image will look something like this.
The Edge line is black of the light blue background on the right side is
A reference that the registered tip image will look something like this.
A1... It is the standing position of the front, nine bodies.
A2... It is the sitting appearance of the front, nine bodies.
A3... The mixture of standing and sitting in front is a stroke sample of "I'm going out like this".
(The tip image is a random stroke.)
The actual registered image type is the above A1 + A2 total of 18 bodies.
A2... It is the sitting appearance of the front, nine bodies.
A3... The mixture of standing and sitting in front is a stroke sample of "I'm going out like this".
(The tip image is a random stroke.)
The actual registered image type is the above A1 + A2 total of 18 bodies.
B1... Left standing, eight bodies.
B2... It is a left sitting figure and eight bodies.
B3... The mixture of standing and sitting in the left is a stroke sample of "I'm going out like this".
(This picture is drawn by cutting the initial pressure and adjusting the interval.)
The actual registered image types are the total 16 bodies of B1 + B2 above.
B2... It is a left sitting figure and eight bodies.
B3... The mixture of standing and sitting in the left is a stroke sample of "I'm going out like this".
(This picture is drawn by cutting the initial pressure and adjusting the interval.)
The actual registered image types are the total 16 bodies of B1 + B2 above.
C1... It is eight kinds of standing right.
C2... It is the right sitting figure and eight kinds.
C3... Mixing the right standing and sitting, it is a stroke sample of "I'll go out like this".
(This picture is drawn by cutting the initial pressure and adjusting the interval.)
The actual registered image types are the above C1 + C2 total 16 bodies.
C2... It is the right sitting figure and eight kinds.
C3... Mixing the right standing and sitting, it is a stroke sample of "I'll go out like this".
(This picture is drawn by cutting the initial pressure and adjusting the interval.)
The actual registered image types are the above C1 + C2 total 16 bodies.
A1... It is a standing figure facing front. There are 9 bodies.
A2... It is a sitting position facing front. There are 9 bodies.
A3... It is facing front. The standing appearance and the sitting posture are mixed.
This image is a stroke sample with a tip of a tip.
The type of image actually registered is the total of 18 above A1 and A2.
A2... It is a sitting position facing front. There are 9 bodies.
A3... It is facing front. The standing appearance and the sitting posture are mixed.
This image is a stroke sample with a tip of a tip.
The type of image actually registered is the total of 18 above A1 and A2.
B1... It is a figure standing on the left side. There are 8 bodies.
B2... It is a sitting figure in the direction of the left side. There are 8 bodies.
B3... It is facing left. The standing appearance and the sitting posture are mixed.
This image is a stroke sample with a tip of a tip.
The type of image actually registered is the total of 16 above B1 and B2.
B2... It is a sitting figure in the direction of the left side. There are 8 bodies.
B3... It is facing left. The standing appearance and the sitting posture are mixed.
This image is a stroke sample with a tip of a tip.
The type of image actually registered is the total of 16 above B1 and B2.
C1... It is a figure standing on the right side.
There are 8 bodies.C2... It is a sitting figure in the direction of the right side. There are 8 bodies.
C3... It is facing right. The standing appearance and the sitting posture are mixed.
This image is a stroke sample with a tip of a tip.
The type of image actually registered is the total of 16 above C1 and C2.
To be used in conjunction with "Mobs 50 body Silhouette (ID: 1717337)" of the other selling material,
The initial registration of the brush size of this material is "35.50 mm".
If you draw without perspective, the discomfort of two kinds of border lines is reduced if you use this size.
The initial registration of the brush size of this material is "35.50 mm".
If you draw without perspective, the discomfort of two kinds of border lines is reduced if you use this size.
If you have one, if you want to keep the audience quiet,
Please try to mix the "common mobs".
Please try to mix the "common mobs".
To be used in conjunction with "mobs 50 body Silhouette" (ID: 1717337) of the optional material,
The initial registration of the brush size of this material is "35.50 mm".
When drawing without drawing nearly, if you use it with this size,
The feeling of incompatibility of the thickness of the borderline of the two kinds of materials is small.
The initial registration of the brush size of this material is "35.50 mm".
When drawing without drawing nearly, if you use it with this size,
The feeling of incompatibility of the thickness of the borderline of the two kinds of materials is small.
★ ☆ ★ …↓使用例… ★ ☆ ★
（この使用例画像は出品データに入っていません）
左…ライブ会場（正面立ち姿・Ａ１ブラシを使用）
黒ベタモブにしたブラシで一旦描いて、そのあと範囲指定し各種濃度のトーンを貼りました。
遠近つけるために遠くのほうにいくほど小さいブラシサイズに変更してます。
（トーン貼る都合上やバランスを見るため、別レイヤーで重ねています）
黒ベタモブにしたブラシで一旦描いて、そのあと範囲指定し各種濃度のトーンを貼りました。
遠近つけるために遠くのほうにいくほど小さいブラシサイズに変更してます。
（トーン貼る都合上やバランスを見るため、別レイヤーで重ねています）
右…スポーツ観戦などの観客席（左向き立ち姿・Ｂ１ブラシを使用）
黒フチモブにして、筆圧で遠近を付けながらレイヤーで重ねて描いてみました。
重なり具合・遠近のバランスなどのため、細かいところは変形して調節しています。
黒フチモブにして、筆圧で遠近を付けながらレイヤーで重ねて描いてみました。
重なり具合・遠近のバランスなどのため、細かいところは変形して調節しています。
Picture on the left … It is a music venue. (A1 brush use)
I changed the black solid in the far part to the screen tone.
Picture on the right … I used a black outline brush. It is a spectator seat watching sports. (B1 brush use)
Using pen pressure, I wrote a perspective feeling.
Using pen pressure, I wrote a perspective feeling.
★ ☆ ★ …↓使用例… ★ ☆ ★
（この使用例画像は出品データに入っていません）
（この使用例画像は出品データに入っていません）
いろんなパターンで作ったやつです。
１…黒ベタ（基本）です。
２…黒フチ・中は白ベタ、です（メインカラー白、サブカラー・黒）。
３…２のブラシに各種トーンを貼ったものと、黒いフチをあとから消したものです。
４…カラー対応です。メインとサブのカラーを変えてくださいね。
注意点・外側を濃くするときは、サブカラーを濃くしてください。
２…黒フチ・中は白ベタ、です（メインカラー白、サブカラー・黒）。
３…２のブラシに各種トーンを貼ったものと、黒いフチをあとから消したものです。
４…カラー対応です。メインとサブのカラーを変えてくださいね。
注意点・外側を濃くするときは、サブカラーを濃くしてください。
1 ... It is black silhouette (basic).
2 ... The edge line is black, (main color · white, sub color · black).
3 ... Add a different color to the above No. 2 brush and erase the black border.
4 ... It is color correspondence. Please change the main color and sub color.
Points to remember · When darkening the outside, please darken the sub color.
2 ... The edge line is black, (main color · white, sub color · black).
3 ... Add a different color to the above No. 2 brush and erase the black border.
4 ... It is color correspondence. Please change the main color and sub color.
Points to remember · When darkening the outside, please darken the sub color.
★ ☆ ★ …↓使用例… ★ ☆ ★
（この使用例画像は出品データに入っていません）
（この使用例画像は出品データに入っていません）
パース定規に乗せて描いてみました。
右側向きと左側向きのブラシは、筆圧の強弱で遠近感を出せます。
（遠近つけたくないときは、サブツール詳細・ブラシサイズから筆圧を外してください）
正面向きのブラシには筆圧は入っていません。
右側向きと左側向きのブラシは、筆圧の強弱で遠近感を出せます。
（遠近つけたくないときは、サブツール詳細・ブラシサイズから筆圧を外してください）
正面向きのブラシには筆圧は入っていません。
I wrote using the Perth ruler.
Brushes on the right side and the left side are attached with a sense of perspective with the strength of writing pressure.
Please remove it when it is not necessary.
There is no pen pressure in the front direction.
Brushes on the right side and the left side are attached with a sense of perspective with the strength of writing pressure.
Please remove it when it is not necessary.
There is no pen pressure in the front direction.
★ ☆ ★ …↓使用例… ★ ☆ ★
（この使用例画像は出品データに入っていません）
（この使用例画像は出品データに入っていません）
線が太いのが気になるときは、補正して細くしてみてください。
（この見本は、減色方法を利用しました）
（この見本は、減色方法を利用しました）
グレーレイヤーに、ブラシのツール詳細内からアンチエイリアスを
一番最大・右にして、黒フチのモブを描きます。
フィルターの「ガウスぼかし」をかけて、モノクロレイヤーに変更し、
レイヤープロパティの「閾値」を調節し線を細くしました。
一番最大・右にして、黒フチのモブを描きます。
フィルターの「ガウスぼかし」をかけて、モノクロレイヤーに変更し、
レイヤープロパティの「閾値」を調節し線を細くしました。
重なって線が太くなったり、細かいとこの線がもっさりするなど、
違和感があるところは手作業で線を削って微調整しました。
違和感があるところは手作業で線を削って微調整しました。
If you are concerned with thick lines, please make it narrower.
I used a color reduction method.
I used a color reduction method.
★ ☆ ★ …↓出品データ… ★ ☆ ★
先端素材は合計50体（ベタ基本・ピンク下地の枠内）です。ブラシは９本あります。
右側の「黒フチ」のブラシ（水色下地の枠内）は、こんな感じになるよ、という見本です。
これらはメイン・サブカラー変更で使用可能になります。参考にしてくださいね。
これらはメイン・サブカラー変更で使用可能になります。参考にしてくださいね。
Total materials are 50 in total.There are nine brushes.
The edge line is black of the light blue background on the right side is
a reference that the registered tip image will look something like this.
The edge line is black of the light blue background on the right side is
a reference that the registered tip image will look something like this.
Ａ１…正面の立ち姿・９体です。
Ａ２…正面の座り姿・９体です。
Ａ３…正面の立ち・座りの混合、「こんな感じで出るよ」というストローク見本です。
（先端画像はランダムのストロークにしています）
実際に登録している画像の種類は上記のＡ１+Ａ２の合計18体です。
Ａ２…正面の座り姿・９体です。
Ａ３…正面の立ち・座りの混合、「こんな感じで出るよ」というストローク見本です。
（先端画像はランダムのストロークにしています）
実際に登録している画像の種類は上記のＡ１+Ａ２の合計18体です。
Ｂ１…左向きの立ち姿・８体です。
Ｂ２…左向きの座り姿・８体です。
Ｂ３…左向きの立ち・座りの混合、「こんな感じで出るよ」というストローク見本です。
（この見本画像は初期設定の筆圧を切って間隔を調整して描きました）
実際に登録している画像の種類は上記のＢ１+Ｂ２の合計16体です。
Ｂ２…左向きの座り姿・８体です。
Ｂ３…左向きの立ち・座りの混合、「こんな感じで出るよ」というストローク見本です。
（この見本画像は初期設定の筆圧を切って間隔を調整して描きました）
実際に登録している画像の種類は上記のＢ１+Ｂ２の合計16体です。
Ｃ１…右向きの立ち姿・８種です。
Ｃ２…右向きの座り姿・８種です。
Ｃ３…右向きの立ち・座りの混合、「こんな感じで出るよ」というストローク見本です。
（この見本画像は初期設定の筆圧を切って間隔を調整して描きました）
実際に登録している画像の種類は上記のＣ１+Ｃ２合計16体です。
Ｃ２…右向きの座り姿・８種です。
Ｃ３…右向きの立ち・座りの混合、「こんな感じで出るよ」というストローク見本です。
（この見本画像は初期設定の筆圧を切って間隔を調整して描きました）
実際に登録している画像の種類は上記のＣ１+Ｃ２合計16体です。
Ａ１…It is a standing figure facing front. There are 9 bodies.
Ａ２…It is a sitting position facing front. There are 9 bodies.
Ａ３…It is facing front. The standing appearance and the sitting posture are mixed.
This image is a stroke sample with a tip of a tip.
The type of image actually registered is the total of 18 above A1 and A2.
Ａ２…It is a sitting position facing front. There are 9 bodies.
Ａ３…It is facing front. The standing appearance and the sitting posture are mixed.
This image is a stroke sample with a tip of a tip.
The type of image actually registered is the total of 18 above A1 and A2.
Ｂ１…It is a figure standing on the left side. There are 8 bodies.
Ｂ２…It is a sitting figure in the direction of the left side. There are 8 bodies.
Ｂ３…It is facing left.The standing appearance and the sitting posture are mixed.
This image is a stroke sample with a tip of a tip.
The type of image actually registered is the total of 16 above B1 and B2.
Ｂ２…It is a sitting figure in the direction of the left side. There are 8 bodies.
Ｂ３…It is facing left.The standing appearance and the sitting posture are mixed.
This image is a stroke sample with a tip of a tip.
The type of image actually registered is the total of 16 above B1 and B2.
Ｃ１…It is a figure standing on the right side. There are 8 bodies.
Ｃ２…It is a sitting figure in the direction of the right side. There are 8 bodies.
Ｃ３…It is facing right.The standing appearance and the sitting posture are mixed.
This image is a stroke sample with a tip of a tip.
The type of image actually registered is the total of 16 above C1 and C2.
Ｃ２…It is a sitting figure in the direction of the right side. There are 8 bodies.
Ｃ３…It is facing right.The standing appearance and the sitting posture are mixed.
This image is a stroke sample with a tip of a tip.
The type of image actually registered is the total of 16 above C1 and C2.
別売り素材の「モブ50体シルエット（ID:1717337）」とあわせて使えるよう、
この素材のブラシサイズの初期登録は「35.50ミリ」になっています。
遠近つけずに描く場合、このサイズのまま使えば二種類のフチ線の違和感が少なくなります。
この素材のブラシサイズの初期登録は「35.50ミリ」になっています。
遠近つけずに描く場合、このサイズのまま使えば二種類のフチ線の違和感が少なくなります。
もしそちらもお持ちでしたら、観客をもうちょっとおとなしくさせたいとき、
「普通モブ」を混ぜるのもお試しくださいね。
「普通モブ」を混ぜるのもお試しくださいね。
To be used in conjunction with "Mob 50 body silhouette" (ID:1717337) of the optional material,
The initial registration of the brush size of this material is "35.50 mm".
When drawing without drawing nearly, if you use it with this size,
The feeling of incompatibility of the thickness of the borderline of the two kinds of materials is small.
The initial registration of the brush size of this material is "35.50 mm".
When drawing without drawing nearly, if you use it with this size,
The feeling of incompatibility of the thickness of the borderline of the two kinds of materials is small.
Audience mobs 50 body silhouette Brush 観客モブ50体シルエットブラシ
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Spectator mobs front-vertical A1 観客モブ正面-立Ａ1
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Spectator mob front-za A2 観客モブ正面-座Ａ2
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Spectator mobs front-standing A3 観客モブ正面-立座Ａ3
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Spectator mobs left-vertical B1 観客モブ左向-立Ｂ1
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Spectator mobs left-za B2 観客モブ左向-座Ｂ2
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Spectator mobs left-vertical-za B3 観客モブ左向-立座Ｂ3
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Audience mobs right-vertical C1 観客モブ右向-立Ｃ1
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Audience mobs right for-za C2 観客モブ右向-座Ｃ2
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Audience mobs right way-vertical seat C3 観客モブ右向-立座Ｃ3
Other materials by 背景職人の館
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