Canvas Mixing Palette (油彩風キャンバス混色パレット(Canvas Mixing Palette)) 油彩風キャンバス混色パレット(Canvas Mixing Palette)
Content ID：2298474
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137
It is a color palette (119 colors in total) specializing in color mixing, created for the purpose of "enjoying beautiful and complex color unevenness by kneading colors directly on the canvas like oil paint" with digital illustrations. For Painterly & Oil-style Digital Painting, Perceptual Mixing Optimized デジタルイラストで「油彩絵の具のようにキャンバス上で直接色を練り合わせ、美しく複雑な色ムラを楽しむこと」を目的に作られた、混色特化型のカラーパレット（全119色）です。For Painterly & Oil-style Digital Painting, Perceptual Mixing Optimized
It contains 115 colors for mixing, 11 gray colors for work (in 10% brightness increments), and 4 colors that I often use (3 colors that are often used for highlights + 1 shadow color).
In order to make the most of the "perceptual color mixing" function of the CLIP STUDIO, it is designed with a focus on "Medium Tone" in which white paint is melted in advance, rather than a highly saturated primary color arrangement.
* The brush used in the picture in the usage example is "Brush that increases the amount of information while painting" (content ID: 2027882 ).
Three major features of pallets
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Standard placement of "opaque medium tone" that does not muddy colors when mixing colors
- When you put colors on a screen with oil paints, it is rare to leave the primary colors as they are. In this palette, "Medium tone mixed with white moderately" is placed in the second row. When layered on the canvas, the color does not become cloudy and creates a heavy color unevenness like paint.
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Hue and brightness balance to maximize the effect of perceptual color mixing
- In accordance with the perceptual color mixing characteristics of "mixing blue and yellow creates a natural green", the tone is adjusted so that the saturation does not drop sharply (does not sink into gray) even when mixed colors.
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Intuitive color selection × uniform grid of "23 hues 5 levels"
- The vertical axis is unified in five levels according to the roles of "light, base, primary color, shadow, and darkest part". On the horizontal axis, in addition to the basic 12 colors, 23 practical hues are arranged, such as "Johnbriand style", which is strong in skin tone, and "Smoky Sky" and "Sepia", which are easy to blend colors.
- Tint: Highlights, large dilutes of light with water or white
- Medium Tone Main ★: Base color with melted white. The protagonist of painting and mixing on the screen
- Pure Color: The original color that looks like it came out of a tube. For accents and deep color mixing
- Deep Tone: The deep color on which the shadow is based
- Deep Shadow: The darkest color that tightens the screen (transparent when used instead of black)
- Set the brush color mixing setting to "Perceptual".
- First of all, "2. Medium Tone" and choose 2-3 colors you like and place them on the canvas.
- Try using a brush that supports color mixing (oil brush or thick color mixing brush) and stretch it on the screen as if kneading the paint.
- It can express the complex nuances peculiar to natural, deep analogues.
Tips
- If you want to create an oil-style uneven color (change in color), you can put the same tone of a different color on it. Most of the light and dark are not blurred.
- We recommend using "Smoky Sky" and "Sepia" as the shadow color. When mixed with "skin color (John Briand)", it becomes a nice blue-gray.
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You can find out more about the process of working with this color palette and other tutorials on my profile at the link.
For the creation process using this color palette and other tutorials, please check the link in my profile!
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【Color Name (Pure Color)】* Saturation is suppressed. It's just "this color style".
- Cadmium Red
- Magenta Rose
- Vermillion
- Permanent Orange
- Pure Yellow
- Lemon yellow
- Yellow Ochre
- Burntschenna
- John Briand
- Sup Green
- Olive green
- Viridian
- Cerulean Blue
- Ultramarine
- Prussian Blue
- Navy
- Blue violet
- Purple
- Indigo
- Sepia
- Neutral gray
- Smoky Sky (gray-light blue specially designed to depict the sky)
- Lunar Blue (light blue specially created for the color of moonlight)
混色用カラー115色と、作業用のグレースケール11色（輝度10%刻み）、私の良く使うカラー4色（ハイライトに良く使う3色＋影色1色）が入っています。
クリスタの「知覚的混色」機能を最大限に活かせるよう、高彩度な原色配置ではなく、あらかじめ「白絵の具を溶かし込んだ程良い中間色(Medium Tone)」を中心に設計されています。
※使用例の絵で使用したブラシは「 塗りながら情報量を増やすブラシ」（コンテンツID：2027882 ）です。
パレットの3つの大きな特徴
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混色時に色が濁らない「不透明ミディアムトーン」を標準配置
- 油絵の具で画面に色を置く際、原色をそのまま置くことは稀です。本パレットでは2段目に「白を程良く混ぜたミディアムトーン（Medium Tone）」を配置。キャンバス上で重ね塗った際、色が濁らず絵の具らしい重厚な色ムラが生まれます。
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知覚的混色の効果を最大化する色相・明度バランス
- 「青と黄を混ぜると自然な緑になる」知覚的混色の特性に合わせ、混色しても彩度が急激に落ちない（グレーに沈まない）トーン調整を施しています。
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直感的に色を選べる「23色相×5段階」の均一グリッド
- 縦軸は「光・ベース・原色・影・最暗部」の役割別に5段階で統一。横軸は基本12色に加え、肌色に強い「ジョンブリアン風」や、混色になじみやすい「スモーキースカイ」「セピア」など、実践的な23色相を配置しています。
- Tint（ティント / 最明色）：ハイライト、水や白で大きく薄めた光の表現
- Medium Tone（ミディアム / 中間色）★メイン：白を溶かし込んだベース色。画面上で塗る・混ぜる際の主役
- Pure Color（ピュア / 基本色）：チューブから出したような本来の色。アクセントや深い混色用
- Deep Tone（ディープ / 濃色）：陰影のベースとなる深い色
- Deep Shadow（シェード / 最暗部）：画面を引き締める最暗部色（黒代わりに使うと透明感が出ます）
- ブラシの混色設定を「知覚的」にします。
- まずは「2. Medium Tone」から好きな色を2〜3色選び、キャンバスの上にポンポンと置きます。
- 混色対応のブラシ（油彩系ブラシや厚塗り系混色ブラシ）で、絵の具を練り合わせるように画面上で伸ばし混ぜてみてください。
- 自然で、深みのあるアナログ特有の複雑なニュアンスが表現できます。
Tips
- 油彩風の色むら（色味の変化）を出したい時は、別の色の同じトーンを乗せると良いです。大体明暗がブレません。
- 影色に「スモーキースカイ」「セピア」のダブル使いがおすすめです。「肌色（ジョンブリアン）」と混じった時に良い感じのブルーグレーになります。
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このカラーパレットを使った制作過程や、その他のチュートリアルは、私のプロフィール欄のリンクからご覧いただけます。
For the creation process using this color palette and other tutorials, please check the link in my profile!
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【色の名前（Pure Color）】※彩度を抑えています。あくまで「この色風」です。
- カドミウムレッド
- マゼンタ・ローズ
- バーミリオン
- パーマネントオレンジ
- ピュアイエロー
- レモンイエロー
- イエローオーカー
- バーントシェンナ
- ジョンブリアン
- サップグリーン
- オリーブグリーン
- ビリジアン
- セルリアンブルー
- ウルトラマリン
- プルシャンブルー
- ネイビー
- ブルーバイオレット
- パープル
- インディゴ
- セピア
- ニュートラルグレー
- スモーキースカイ （空を描くために特製した灰水色）
- ルナブルー （月光の色のために特製した水色）
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