3D model for wrinkle reference with arms raised in yukata (浴衣で腕を上げたシワ参考用３Dモデル) 浴衣で腕を上げたシワ参考用３Dモデル

Content ID：2141179

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うさこの洋裁工房

This material can be used in Studio Mode. (What is Studio Mode?)

Translated by

I'm going to put an outline on it! But wrinkles! I don't know how wrinkles appear from this angle! !!
This is a reference 3D model when drawing wrinkles for you.
It is made with 3D software for clothes, so it is a realistic wrinkle.
It is made of high polygons to express the natural wrinkles peculiar to the fabric.
Therefore, if you have a computer with low specifications, the load may be high. 輪郭線はかけるのよ！でもシワが！この角度から見たシワの出方が分からない！！
そんなあなたのためのゆかたのシワを描くときの参考用３Dモデルです
洋服用の３Dソフトで作ってあるのでリアルなしわになっています。
布特有の自然なしわを表現するために高めのポリゴンで作ってあります。
そのためスペックの低いパソコンだと負荷が高いかもしれません。

It is not a special move, but a pose in which you hold your hand so that the kimono is not disturbed when you put on the kimono and raise your hand.

Please refer to wrinkles when raising and bending arms.

The wrinkles on the sleeves of kimono are different from clothes from the structure, so it's super difficult.

The shape of the cuff is completely different from clothes, and it is diamond-shaped, so it's very difficult!

Just by looking for materials with just the right angle, you will notice it in a few hours ...

Since it is 3D, you can check it by turning it around to the angle of "I want to know the folds of this angle!!"

If you don't want it to wrinkle the same as others, move the position of the light source.

Changing the light source changes the place where the light hits, so the wrinkles that emerge look different.

※Not movable

The wrinkles on clothes change depending on the pose every time you move.

However, CLIP STUDIO does not have a function to simulate the movement of wrinkles, so it cannot be moved.

The main source of this data is Yukata. Not the human body.

◆Surface Material◆

There are a total of five types of surface materials: plain white, gray longitudinal, red arrow, gray checkered, and navy blue.

Patterns such as longitudinal checkered pine should be considered as a guide for drawing patterns.

Kimono has a pattern orientation, so I think the arrow carpet is a guide for the direction of the pattern.

You can use it as a reference for wrinkles only, or you can rasterize 3D and use it as it is, and please use it to shorten the time of drawing.

If you remove the apply light source check box, you can extract only the outline neatly.

How to easily draw wrinkles like it

Call up the 3D model and adjust it to your preferred angle.

Create a new layer and draw a noticeable wrinkle on that layer.

Select the model in the 3D layer and open the [sub tool detail palette]. (When you select 3D, press the spanner icon that appears below)

If you clear the check box of [apply light source] on the [Shadow] tab, it will be only an outline line.

If there is an outline line that disappears, turn on the light source once and shoot the place where the line disappears.

In order to make it easier for me to draw illustrations, not as a modeler, I made and pasted textures in advance with lines that increase the amount of information about the clothes, such as seams and seam boundaries.

(The color of the wrinkle lines has been changed for clarity.) In fact, please draw it in your favorite color)

If you want to use it as it is, convert it in the order of [Right-click]-[rasterize]→ on the layer of the 3D model to make it a line drawing as it is on the display.

The raw body of the 3D model is slightly realistic M size, so depending on the touch to be drawn, please adjust it by deformation after rasterize.

You can use the original texture (surface material) as it is, or you can add a pattern as a guide! Please use it with your favorite pattern.

I tried various things, but clothes seem to be incompatible with TL conversion.

To draw more realistically

In the case of a real human, the chest is soft and can be crushed by correction, but the chest of the 3D model is ticked, so it does not collapse.

Therefore, when drawing, if you press the three-dimensional feeling of the chest, the silhouette will be beautiful.

* This is a realistic expression. This is not the case with Deformed Fantasy.

If you draw a kimono and it will be kind of dull.

Maybe it's because I'm writing a three-dimensional chest with a hand habit.

A real sewing teacher makes it with 3D modeling software dedicated to clothes.

I make 3D models of various clothes because of my work, so if you want information on new 3D models, please follow us!

There are other 3D materials.

There are also skirts and trouser yukatas, so please use the ones that can be used from other materials of the Usako dressmaking workshop below to save time and improve quality.

* Just as there is a trend in modern clothing, the shape and way of wearing kimono differ depending on the region, era, and status. This is the data of a modern yukata.

必殺技じゃなくて着物を着て手をあげる時に着物が乱れないように手元を押えているポーズです。

腕を上げたり曲げたりする時のシワの参考にどうぞ。

和服の袖のシワ、構造からして洋服と違うので超むずかしいし

袖口の形が洋服と全く違ってひし形だったりするので難易度高いですよね！

ちょうどいい角度の資料を探すだけで気づいたら数時間とか…。

３Dなので「この角度のヒダが知りたいのよ！！」という角度までぐるぐる回して確認ができます。

他の人と同じしわにしたくない場合光源の位置を移動させてください。

光源を変えると光が当たる場所が変わるので、浮かび上がるシワが違って見えます。

※可動しません

洋服のシワは動くたびポーズによって変わります。

しかしクリスタではシワの動きをシミュレーションする機能はないため、動かすことはできません。

このデータのメインはゆかたです。人体ではありません。