It seems to come out to do the drawing of the battle scene.
I tried to make the brush set of the effect.
"Tai", which is convenient for expressing the trajectory of swords, weapons, punches, etc.
Such as "shock wave" and "flash", such as explosion
The effect of magic expression is "lightning" and "current".
Such as "Dust" that rises in the background of the battle.
バトルシーンをお絵描きするのに出てきそうな
エフェクトのブラシセットを作ってみました。
刀や武器・パンチなどの軌跡の表現に便利な「太刀筋」、
爆発などの「衝撃波」や「閃光」、
魔法の表現効果などには「稲妻」「電流」を、
戦闘背景に立ちのぼる「土煙」などなど…。
合計34本のブラシ（18デザイン）が梱包されています。
メイン・サブカラー変更可能です。
重なった部分が白く抜けるものと（■マーク付）、
そうならない単体使いのもの（無印）と2種類のブラシがあります。
（種類によっては1種類しか無いものもあります）
そうならない単体使いのもの（無印）と2種類のブラシがあります。
（種類によっては1種類しか無いものもあります）
各種レイヤーの色モードによって使いわけてくださいね。
"Sword locus", which is convenient for expressing the locus of swords, weapons, punches, etc.
"Shock waves" and "flashes" such as explosions,
"Lightning bolt" and "electric current" used for magical expression effects, etc.
"Smoke from the ground" that rises in the background of the battle.
Effects that are likely to appear in the battle scene
I made a brush set for drawing.
There are a total of 34 brushes (18 designs).
The main and sub colors can be changed.
There are two types of brushes, one that makes the overlapping part white and the other that does not.
(Some types have only one type)
Please use it properly according to the color mode of each layer.
(Some types have only one type)
Please use it properly according to the color mode of each layer.
★☆★ 使用例・Usage example ★☆★
Considering various factors such as the size actually used and making it look natural when stacked or lined up,
I did my best to fine-tune each dot to make it look sharp.
If the line weight of each brush does not match multiple brushes, try to fix it by referring to "How to make the line thicker or thinner" on the page.
I think you can devise various ideas depending on your ideas, so please give it a try.
You can change the main color and sub color.
★ ☆ ★ … 細部確認用の画像… ★ ☆ ★
For details confirmation: A part of the sample image of the usage example is enlarged.
For details confirmation: A part of the sample image of the usage example is enlarged.
A-When you want to draw a beautiful curve.
Draw on a vector layer and erase or move the control points to form a beautiful shape.
Draw on a vector layer and erase or move the control points to form a beautiful shape.
B-How to use a ruler.
Set the trajectory you want to create by operating the control points of the curve ruler.
Draw with a brush along the ruler.
Complete!
Set the trajectory you want to create by operating the control points of the curve ruler.
Draw with a brush along the ruler.
Complete!
It is a feature of the "white inside" brush with the ■ mark.
C-In the case of a monochrome layer, when drawing with one stroke, only the overlapping part becomes white.
In the case of drawing by itself or strokes drawn apart, the overlapping part will not be white.
In the case of drawing by itself or strokes drawn apart, the overlapping part will not be white.
D-For layers that have been reduced in color and changed to monochrome, and layers that are gray or color.
Whether you draw by connecting with one stroke or drawing separately, the overlapping part will be white.
Whether you draw by connecting with one stroke or drawing separately, the overlapping part will be white.
E-If you want to prevent whitening when writing with one brush or overlapping multiple strokes, use a brush without the ■ mark.
Common to monochrome / reduced monochrome / gray / color layers.
Common to monochrome / reduced monochrome / gray / color layers.
F-How to use M-Shock-wave semicircle.
If you run the pen from bottom to top, the image will come out.
The dust-Cloud in the background is layered to give depth.
If you run the pen from bottom to top, the image will come out.
The dust-Cloud in the background is layered to give depth.
G-How to draw on a vector layer and adjust or process the arrangement later.
If you want to change the orientation, click with the object tool and operate the pointer around it to rotate.
If you can't rotate it, try the following:
Select what you drew with the object tool and specify "Sub tool details" → "Brush tip" → "Line direction".
If you want to change the orientation, click with the object tool and operate the pointer around it to rotate.
If you can't rotate it, try the following:
Select what you drew with the object tool and specify "Sub tool details" → "Brush tip" → "Line direction".
H- to change the height and width (thickness).
Select what you drew with the object tool and specify "Sub tool details" → "Brush tip" → "Thickness" → "Apply direction" → Select either "Horizontal / Vertical" → Change the number of "Thickness" .
Select what you drew with the object tool and specify "Sub tool details" → "Brush tip" → "Thickness" → "Apply direction" → Select either "Horizontal / Vertical" → Change the number of "Thickness" .
I-Tips for arranging the "white inside" brush with the ■ mark.
Draw a pompon moderately and drag and drop with the object tool to move it to any position.
Rotate the direction or move with fine adjustment,
After making it look good, erase the parts you don't need at the end.
Draw a pompon moderately and drag and drop with the object tool to move it to any position.
Rotate the direction or move with fine adjustment,
After making it look good, erase the parts you don't need at the end.
J-The R1 current brush is registered at the tip in black color.
If you want to change the darkness such as gray, change the opacity value of the layer.
Change to dots if necessary.
If you want to change the darkness such as gray, change the opacity value of the layer.
Change to dots if necessary.
K-The R2 current brush has a 40% gray color around it.
If you want to change to a lighter color, lower the opacity number on the layer.
If you want to change it to a darker color, specify the color gamut of the gray part, make a selection, and fill it with the desired dark gray.
Change to dots if necessary.
If you want to change to a lighter color, lower the opacity number on the layer.
If you want to change it to a darker color, specify the color gamut of the gray part, make a selection, and fill it with the desired dark gray.
Change to dots if necessary.
L-How to change the color of the brush.
You can reverse white and black.
For brushes that are only white from the beginning, the main and sub colors are reversed. (O / P / Q brush)
If the main and sub colors are the same, it will look like the figure.
It can be changed to gray or color.
You can reverse white and black.
For brushes that are only white from the beginning, the main and sub colors are reversed. (O / P / Q brush)
If the main and sub colors are the same, it will look like the figure.
It can be changed to gray or color.
Various ways to make the line "thck or thin" as a whole
M-Use "Vector line correction"
Draw on a raster layer and convert to vector to correct the line width.
Areas with a high density of lines look natural by correcting the line width to make them thinner.
Draw on a raster layer and convert to vector to correct the line width.
Areas with a high density of lines look natural by correcting the line width to make them thinner.
N-Use "selection range (color gamut specification)"
Adjust the line width by creating a selection area of the line and "expanding/contracting" to paint or erase.
Adjust the line width by creating a selection area of the line and "expanding/contracting" to paint or erase.
O-Use "boundary effect"
Draw on a raster layer, and from the menu bar above, "Convert brightness to transparency" to erase the white part.
After that, make a black line on the outside with "Boundary effect" of "Effect" of the layer property.
Add a white color to the background color.
Draw on a raster layer, and from the menu bar above, "Convert brightness to transparency" to erase the white part.
After that, make a black line on the outside with "Boundary effect" of "Effect" of the layer property.
Add a white color to the background color.
P-Use "color reduction display"
Draw using the main black and sub white on the gray layer, and apply the "Gaussian blur" of "Blur" of "Filter" from the menu bar above.
After that, change to a monochrome layer and adjust the value of "Color/alpha threshold" from the layer properties.
Draw using the main black and sub white on the gray layer, and apply the "Gaussian blur" of "Blur" of "Filter" from the menu bar above.
After that, change to a monochrome layer and adjust the value of "Color/alpha threshold" from the layer properties.
R-After thickening the line, if you are concerned about the density, or if you make it thin and the line is cut or faint, it is recommended to correct it by hand drawing. It will be a beautiful finish.
★☆★ 出品データ・Listing data ★☆★
★ ☆ ★ ☆ ★ ☆ ★ ☆ ★ ☆ ★ ☆ ★ ☆ ★ ☆ ★ ☆ ★ ☆
説明画像は図案が見やすいよう一部フチを太くしてるものがあります。
説明用の画像はサンプルなので線を入れています。 実際の素材には入っていません。
説明用の画像はサンプルなので線を入れています。 実際の素材には入っていません。
Some explanatory images have thicker borders to make the design easier to see.
Since the image for explanation is a sample, a line is inserted. It is not included in the actual material.
Since the image for explanation is a sample, a line is inserted. It is not included in the actual material.
合計34本のブラシ（18デザイン）が梱包されています。
メイン・サブカラー変更可能です。
重なった部分が白く抜けるものと（■マーク付）、
そうならない単体使いのもの（無印）と2種類のブラシがあります。
（種類によっては1種類しか無いものもあります）
そうならない単体使いのもの（無印）と2種類のブラシがあります。
（種類によっては1種類しか無いものもあります）
各種レイヤーの色モードによって使いわけてくださいね。
"Sword locus", which is convenient for expressing the locus of swords, weapons, punches, etc.
"Shock waves" and "flashes" such as explosions,
"Lightning bolt" and "electric current" used for magical expression effects, etc.
"Smoke from the ground" that rises in the background of the battle.
Effects that are likely to appear in the battle scene
I made a brush set for drawing.
There are a total of 34 brushes (18 designs).
The main and sub colors can be changed.
There are two types of brushes, one that makes the overlapping part white and the other that does not.
(Some types have only one type)
Please use it properly according to the color mode of each layer.
(Some types have only one type)
Please use it properly according to the color mode of each layer.
★☆★ 使用例・Usage example ★☆★
Considering various factors such as the size actually used and making it look natural when stacked or lined up,
I did my best to fine-tune each dot to make it look sharp.
If the line weight of each brush does not match multiple brushes, try to fix it by referring to "How to make the line thicker or thinner" on the page.
I think you can devise various ideas depending on your ideas, so please give it a try.
You can change the main color and sub color.
★ ☆ ★ …細部確認用の画像… ★ ☆ ★
For details confirmation: A part of the sample image of the usage example is enlarged.
For details confirmation: A part of the sample image of the usage example is enlarged.
A-When you want to draw a beautiful curve.
Draw on a vector layer and erase or move the control points to form a beautiful shape.
Draw on a vector layer and erase or move the control points to form a beautiful shape.
B-How to use a ruler.
Set the trajectory you want to create by operating the control points of the curve ruler.
Draw with a brush along the ruler.
Complete!
Set the trajectory you want to create by operating the control points of the curve ruler.
Draw with a brush along the ruler.
Complete!
It is a feature of the "white inside" brush with the ■ mark.
C-In the case of a monochrome layer, when drawing with one stroke, only the overlapping part becomes white.
In the case of drawing by itself or strokes drawn apart, the overlapping part will not be white.
In the case of drawing by itself or strokes drawn apart, the overlapping part will not be white.
D-For layers that have been reduced in color and changed to monochrome, and layers that are gray or color.
Whether you draw by connecting with one stroke or drawing separately, the overlapping part will be white.
Whether you draw by connecting with one stroke or drawing separately, the overlapping part will be white.
E-If you want to prevent whitening when writing with one brush or overlapping multiple strokes, use a brush without the ■ mark.
Common to monochrome / reduced monochrome / gray / color layers.
Common to monochrome / reduced monochrome / gray / color layers.
F-How to use M-Shock-wave semicircle.
If you run the pen from bottom to top, the image will come out.
The dust-Cloud in the background is layered to give depth.
If you run the pen from bottom to top, the image will come out.
The dust-Cloud in the background is layered to give depth.
G-How to draw on a vector layer and adjust or process the arrangement later.
If you want to change the orientation, click with the object tool and operate the pointer around it to rotate.
If you can't rotate it, try the following:
Select what you drew with the object tool and specify "Sub tool details" → "Brush tip" → "Line direction".
If you want to change the orientation, click with the object tool and operate the pointer around it to rotate.
If you can't rotate it, try the following:
Select what you drew with the object tool and specify "Sub tool details" → "Brush tip" → "Line direction".
H- to change the height and width (thickness).
Select what you drew with the object tool and specify "Sub tool details" → "Brush tip" → "Thickness" → "Apply direction" → Select either "Horizontal / Vertical" → Change the number of "Thickness" .
Select what you drew with the object tool and specify "Sub tool details" → "Brush tip" → "Thickness" → "Apply direction" → Select either "Horizontal / Vertical" → Change the number of "Thickness" .
I-Tips for arranging the "white inside" brush with the ■ mark.
Draw a pompon moderately and drag and drop with the object tool to move it to any position.
Rotate the direction or move with fine adjustment,
After making it look good, erase the parts you don't need at the end.
Draw a pompon moderately and drag and drop with the object tool to move it to any position.
Rotate the direction or move with fine adjustment,
After making it look good, erase the parts you don't need at the end.
J-The R1 current brush is registered at the tip in black color.
If you want to change the darkness such as gray, change the opacity value of the layer.
Change to dots if necessary.
If you want to change the darkness such as gray, change the opacity value of the layer.
Change to dots if necessary.
K-The R2 current brush has a 40% gray color around it.
If you want to change to a lighter color, lower the opacity number on the layer.
If you want to change it to a darker color, specify the color gamut of the gray part, make a selection, and fill it with the desired dark gray.
Change to dots if necessary.
If you want to change to a lighter color, lower the opacity number on the layer.
If you want to change it to a darker color, specify the color gamut of the gray part, make a selection, and fill it with the desired dark gray.
Change to dots if necessary.
L-How to change the color of the brush.
You can reverse white and black.
For brushes that are only white from the beginning, the main and sub colors are reversed. (O / P / Q brush)
If the main and sub colors are the same, it will look like the figure.
It can be changed to gray or color.
You can reverse white and black.
For brushes that are only white from the beginning, the main and sub colors are reversed. (O / P / Q brush)
If the main and sub colors are the same, it will look like the figure.
It can be changed to gray or color.
Various ways to make the line "thck or thin" as a whole
M-Use "Vector line correction"
Draw on a raster layer and convert to vector to correct the line width.
Areas with a high density of lines look natural by correcting the line width to make them thinner.
Draw on a raster layer and convert to vector to correct the line width.
Areas with a high density of lines look natural by correcting the line width to make them thinner.
N-Use "selection range (color gamut specification)"
Adjust the line width by creating a selection area of the line and "expanding/contracting" to paint or erase.
Adjust the line width by creating a selection area of the line and "expanding/contracting" to paint or erase.
O-Use "boundary effect"
Draw on a raster layer, and from the menu bar above, "Convert brightness to transparency" to erase the white part.
After that, make a black line on the outside with "Boundary effect" of "Effect" of the layer property.
Add a white color to the background color.
Draw on a raster layer, and from the menu bar above, "Convert brightness to transparency" to erase the white part.
After that, make a black line on the outside with "Boundary effect" of "Effect" of the layer property.
Add a white color to the background color.
P-Use "color reduction display"
Draw using the main black and sub white on the gray layer, and apply the "Gaussian blur" of "Blur" of "Filter" from the menu bar above.
After that, change to a monochrome layer and adjust the value of "Color/alpha threshold" from the layer properties.
Draw using the main black and sub white on the gray layer, and apply the "Gaussian blur" of "Blur" of "Filter" from the menu bar above.
After that, change to a monochrome layer and adjust the value of "Color/alpha threshold" from the layer properties.
R-After thickening the line, if you are concerned about the density, or if you make it thin and the line is cut or faint, it is recommended to correct it by hand drawing. It will be a beautiful finish.
★☆★ 出品データ・Listing data ★☆★
★ ☆ ★ ☆ ★ ☆ ★ ☆ ★ ☆ ★ ☆ ★ ☆ ★ ☆ ★ ☆ ★ ☆
説明画像は図案が見やすいよう一部フチを太くしてるものがあります。
説明用の画像はサンプルなので線を入れています。実際の素材には入っていません。
説明用の画像はサンプルなので線を入れています。実際の素材には入っていません。
Some explanatory images have thicker borders to make the design easier to see.
Since the image for explanation is a sample, a line is inserted. It is not included in the actual material.
Since the image for explanation is a sample, a line is inserted. It is not included in the actual material.
Tai 太刀筋
-
A1 Pavilion-Tai/Inter-line normal Sword-Trajectory Equal-width-line Normal Ａ1館-太刀筋/等間線ノーマル Sword-Trajectory Equal-width-line Normal
-
A2-kan ■-Tai/Inter-line white Nuki Sword-Trajectory Equal-width-line White-inside Ａ2館■-太刀筋/等間線白ヌキ Sword-Trajectory Equal-width-line White-inside
-
A3 Pavilion-Tai/Rose line normal Sword-Trajectory Random-line Normal Ａ3館-太刀筋/バラ線ノーマル Sword-Trajectory Random-line Normal
-
A4 ■-Tai/Rose line white Nuki Sword-Trajectory Random-line white-inside Ａ4館■-太刀筋/バラ線白ヌキ Sword-Trajectory Random-line White-inside
-
B1 Hall-Tai/Inter-line normal Sword-Trajectory Equal-width-line Normal Ｂ1館-太刀筋/等間線ノーマル Sword-Trajectory Equal-width-line Normal
-
B2 Pavilion ■-Tai/Inter-line white Nuki Sword-Trajectory Equal-width-line White-inside Ｂ2館■-太刀筋/等間線白ヌキ Sword-Trajectory Equal-width-line White-inside
-
C1-Tai/Inter-line normal Sword-Trajectory Equal-width-line Normal Ｃ1館-太刀筋/等間線ノーマル Sword-Trajectory Equal-width-line Normal
-
C2-kan ■-Tai/Inter-line white Nuki Sword-Trajectory Equal-width-line White-inside Ｃ2館■-太刀筋/等間線白ヌキ Sword-Trajectory Equal-width-line White-inside
-
D1-Tai/Rose line normal Sword-Trajectory Random-line Normal Ｄ1館-太刀筋/バラ線ノーマル Sword-Trajectory Random-line Normal
-
D2-kan ■-Tai/Rose line white Nuki Sword-Trajectory Random-line white-inside Ｄ2館■-太刀筋/バラ線白ヌキ Sword-Trajectory Random-line White-inside
-
E1-Tai/Rose line normal Sword-Trajectory Random-line Normal Ｅ1館-太刀筋/バラ線ノーマル Sword-Trajectory Random-line Normal
-
E2-kan ■-Tai/Rose line white Nuki Sword-Trajectory Random-line white inside Ｅ2館■-太刀筋/バラ線白ヌキ Sword-Trajectory Random-line White inside
-
F1 pavilion-Tai/Rose line normal Sword-Trajectory Random-line Normal Ｆ1館-太刀筋/バラ線ノーマル Sword-Trajectory Random-line Normal
-
F2 ■-Tai/Rose line white Nuki Sword-Trajectory Random-line white-inside Ｆ2館■-太刀筋/バラ線白ヌキ Sword-Trajectory Random-line White-inside
-
G1 Hall-DEF mixed normal DEF-Mixed Norma Ｇ1館-ＤＥＦ混合ノーマル DEF-Mixed Norma
-
G2-kan ■-DEF mixed white Nuki DEF-Mixed White-inside Ｇ2館■-ＤＥＦ混合白ヌキ DEF-Mixed White-inside
Earth smoke 土煙
-
H1 Pavilion-dust/omnidirectional simple Dust-Cloud Every-direction-Unit Normal Ｈ1館-土煙/全方位単体ノーマル Dust-Cloud Every-direction-Unit Normal
-
H2 House ■-dust/omni-directional Single white Nuki Dust-Cloud Every-direction Unit White-inside Ｈ2館■-土煙/全方位単体白ヌキ Dust-Cloud Every-direction Unit White-inside
-
I-dust/Dust-Cloud Up-and-down Continuous Ｉ館-土煙/上下有連続 Dust-Cloud Up-and-down Continuous
-
J-Kan-dust/lower Giza continuous Dust-Cloud Lower-jagged Continuous Ｊ館-土煙/下ギザ連続 Dust-Cloud Lower-jagged Continuous
-
K1 Hall-dust/lower Giza simple Dust-Cloud Lower-jagged Unit Normal Ｋ1館-土煙/下ギザ単体ノーマル Dust-Cloud Lower-jagged Unit Normal
-
K2 Pavilion ■-dust/Lower Giza single white Nuki Dust-Cloud Lower-jagged Unit White-inside Ｋ2館■-土煙/下ギザ単体白ヌキ Dust-Cloud Lower-jagged Unit White-inside
-
L1 Hall-Dust/lower Bokashi short continuous Dust-Cloud Bottom-blur short Continuous Ｌ1館-土煙/下ボカシ短連続 Dust-Cloud Bottom-blur short Continuous
-
L2 Hall-Dust/lower Bokashi length continuous Dust-Cloud Bottom-blur long Continuous Ｌ2館-土煙/下ボカシ長連続 Dust-Cloud Bottom-blur long Continuous
Shock wave, lightning, flash, current 衝撃波・稲妻・閃光・電流
-
M1 Kan-shock/semicircular normal Shock-wave semicircle Normal Ｍ1館-衝撃波/半円ノーマル Shock-wave semicircle Normal
-
M2 Pavilion ■-shockwave/semicircular white Nuki Shock-wave semicircle White-inside Ｍ2館■-衝撃波/半円白ヌキ Shock-wave semicircle White-inside
-
N1 Hall-shockwave/All circle normal Shock-wave circle Normal Ｎ1館-衝撃波/全円ノーマル Shock-wave circle Normal
-
N2 Pavilion ■-shockwave/All circle white Nuki Shock-wave Circle White-inside Ｎ2館■-衝撃波/全円白ヌキ Shock-wave circle White-inside
-
O1-Lightning/Curve Dai-Thunder Curve-L Ｏ1館-稲妻/カーブ大 Thunder Curve-L
-
O2 Hall-Lightning/Curved small Thunder Curve-S Ｏ2館-稲妻/カーブ小 Thunder Curve-S
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P-house-lightning/straight Thunder Ｐ館-稲妻/ストレート Thunder Straight
-
Hall Q - Flash Flash Ｑ館-閃光 Flash
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R1 Hall - Current Electric Ｒ1館-電流 Electric
-
R2-kan ■-current/Fuchigre Electric Edge-gray Ｒ2館■-電流/フチグレー付 Electric Edge-gray
Other materials by 背景職人の館
Popular “Material catalog” materials
New materials
Badges
-
MVP ◆This user has contributed greatly to the management of the community, by posting many great responses to the questions asked. Once every three months, MVPs are determined based on the points earned during that period and will be recognized accordingly. -
New Valuable Player (NVP) ◆These are the next-best contributors to the community after MVPs. This is awarded to users who have not yet won an MVP award, based on the number of points they have earned. -
Official Expert ◆Chosen out of all MVP awardees, who are already proof of excellence, this is a testimony of outstanding correspondence in the community. After careful screening, they are appointed by CELSYS and assume their position.Note: Formally called “Evangelists” -
Official Moderator of CELSYS ◆Moderators are official CELSYS staff members who are fluent in Japanese as well as various other languages. Moderators are not experts on the software or illustration, so they are not able to directly answer your questions. However, moderators provide communication and language support to ensure that everyone can smoothly communicate with each other. -
CELSYS official accountThe Official Administrator Account