
■ Contents of the set (3 3D materials)
・The cloister of the cathedral (7 sections) ...... There are 7 pillars between the pillars and a length of 34m. Both ends are open
・The cloister of the cathedral (rose window at the back)...... The back of the seven sections is blocked by a wall, and a rose window and door with a diameter of 6.8 m are attached. The front edge is open
・ Cathedral cloister (1 section, used together) ...... Length 4.6m. If you arrange them by 460 cm in depth direction, they will connect seamlessly.
■ Size (actual size)
・Overall width: 22.1m (up to the outer buttress)
・Nave width: 8m / Side aisle width: 4.2m
・Ceiling height: Nave 20.8m, Side aisle 8.6m / Roof top: 28.7m
・Pillar spacing: 4.6m
・The origin is the height of the floor and the center of the building.
■ Where I built it
・Ceiling: Both the nave and side aisles are quadrant crossed rib vaults with pointed arches. Diagonal ribs, side ribs, wall ribs, crest ribs, flower-shaped keystones (bosses) at intersections
・Pillar: A bundled column with four thin pillars attached to the core cylinder. On the nave side, a set of three that receive ceiling ribs rises to the starting point of the ceiling. With octagonal pedestal and stigma
・Arcade: Stepped pointed arch and rain suppression framing the arch
・Window: For both the high windows and the windows in the side corridor, the walls are actually hollowed out, and a three-dimensional decorative lattice (2 small arches + nested flower patterns in the round windows) and stained glass are inserted.
・Outside: The roof of the side aisle, the gable roof of the nave, the buttress and pinnacles, and even the beams, so it can be used for compositions that look like cross-sections seen from the outside.
Floor: Black and white marble checkerboard pattern. A stone bench on the wall of the side aisle
・ All textures (stone, ceiling, floor, roof, stained glass, doors) are original.



■ Tips on how to use
・Place the camera in the center of the nave, at a height of 150-170 cm from the floor, and point it at the back, you will have a deep church passage.
・ If you look up, you will see a ceiling with crossed ribs, and if you look sideways, you will see an arcade and high windows.
・ Duplicate "1 section" and add the depth of the object position by 460 to build a corridor of your favorite length.
・ Since all the unevenness of the surface is made three-dimensional, it is easy to pick up the shape even if it is a line drawing with LT conversion.
■ Example of line drawing (reference)
■ Example of 7 sections arranged in 1 section
■ Approximate number of polygons
・ 7 sections: about 350,000 triangles / Rose window in the back: about 390,000 triangles / 1 section: about 60,000 triangles
・ If the operation is heavy, use "1 section" in a row as many as necessary.
■ Please note
・ The introduction image is an image drawn with Blender. In CLIP STUDIO's 3D view, there are no colored light or streaks of light through the glass (stained glass is displayed as colored surfaces)
・Both ends are still cut off, so if you peek through the edges, you can see the cross-section of the wall and ceiling.

■ セットの中身(3D素材 3点)
・大聖堂の回廊(7区画)……柱の間7つ分、長さ34m。両端は開いています
・大聖堂の回廊(奥にバラ窓)……7区画の奥を壁でふさぎ、直径6.8mのバラ窓と扉を付けたもの。手前の端は開いています
・大聖堂の回廊(1区画・つなげて使う)……長さ4.6m。奥行きの向きに460cmずつずらして並べると、継ぎ目なくつながります
■ 大きさ(実寸)
・全体の幅:22.1m(外の控え壁まで)
・身廊の幅:8m/側廊の幅:4.2m
・天井の高さ:身廊20.8m、側廊8.6m/屋根の頂上:28.7m
・柱の間隔:4.6m
・原点は床の高さ・建物の中心です
■ 作り込んだところ
・天井:身廊・側廊とも、尖頭アーチの四分交差リブ・ヴォールト。対角のリブ、横のリブ、壁ぎわのリブ、頂上のリブ、交点には花の形の要石(ボス)
・柱:芯の円柱に細い柱を4本添えた束ね柱。身廊側は天井のリブを受ける3本組が天井の起点まで立ち上がります。八角の台座と柱頭付き
・アーケード:段のついた尖頭アーチと、アーチを縁取る雨押さえ
・窓:高窓・側廊の窓とも、壁を実際にくり抜き、立体の飾り格子(2つの小アーチ+丸窓の中に入れ子の花模様)とステンドグラスを入れています
・外側:側廊の屋根、身廊の切妻屋根、控え壁と小尖塔、飛び梁まであるので、外から見た断面のような構図にも使えます
・床:白黒の大理石の市松模様。側廊の壁ぎわには石のベンチ
・テクスチャ(石・天井・床・屋根・ステンドグラス・扉)はすべてオリジナルです
■ 使い方のヒント
・カメラを身廊の中央、床から150〜170cmの高さに置いて奥へ向けると、奥行きのある教会の通路になります
・見上げると交差リブの天井、横を向くとアーケードと高窓が並ぶ構図になります
・「1区画」は複製して、オブジェクトの位置の奥行きを460ずつ足していくと、好きな長さの回廊を組めます
・面の凹凸をすべて立体で作ってあるので、LT変換で線画にしても形が拾われやすくなっています
■ ポリゴン数の目安
・7区画:約35万三角形/奥にバラ窓:約39万三角形/1区画:約6万三角形
・動作が重いときは「1区画」を必要な数だけ並べてお使いください
■ ご注意
・紹介画像はBlenderで描画したイメージです。クリスタの3D表示では、ガラス越しの色つきの光や光の筋は出ません(ステンドグラスは色つきの面として表示されます)
・両端は切り取ったままなので、端からのぞくと壁や天井の断面が見えます