This is a pencil that appears unexpectedly when trying to make a brush.
Since it does not produce the same concentration of color as the choice of color, even if it is written with the heaviest force, it must be added over and over again to become stronger, so I call him the Grey Pencil.
Since it does not produce the same concentration of color as the choice of color, even if it is written with the heaviest force, it must be added over and over again to become stronger, so I call him the Grey Pencil.
I think it's a good fit for drafting and graffiti, or drawing gray-scale light and shadows like sketches.
One pen has a more uniform texture, while the second pen has more clutter.
The third brush in the material package is an erased version made from a pen number one.
This pen is influenced by both the Main Paint Color and the Sub-Depiction Color, as detailed in the following two examples.
The colored side face uses a pen number one, eraser, and default soft eraser.
這是一支在嘗試製作筆刷時意外出現的鉛筆。
由於它即使以最重的力道下筆，也不會產生與選擇顏色同樣濃度的色彩，必須經過反覆疊加，顏色才能變得更濃烈，所以我叫他【灰鉛筆】。
由於它即使以最重的力道下筆，也不會產生與選擇顏色同樣濃度的色彩，必須經過反覆疊加，顏色才能變得更濃烈，所以我叫他【灰鉛筆】。
我認為它很適合使用在草稿與塗鴉上，或者繪製類似素描的灰階光影。
其中一號筆的質感較為均勻，二號筆則帶有更多雜點。
材質包中的第三支筆刷是以一號筆為基底製作的擦除版本。
這支筆同時受到【主描繪色】與【副描繪色】的影響，詳細情況請看下面二張範例。
著色的側臉使用了一號筆、擦除筆與預設的柔軟橡皮擦。
Brush 筆刷
eraser 擦子
Other materials by Bonine
Popular “Material catalog” materials
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