The template of large dots, basic tones, straight tones, and sandy eye tones.
It has been adjusted so that the dot does not overlap.
In addition, the sand-eye (noise) tone has been adjusted to the easy-to-use size and concentration.
It is equivalent to number 151 to 156 of the place in the analog tone.
大きいドット、基本トーン、直線トーン、砂目トーンのテンプレートです。
ドットが重ならないように調整済みです。
また、砂目（ノイズ）トーンも使いやすいサイズ・濃度に調整済みです。
アナログトーンでいうところの151番～156番に相当しています。
The contents are like this.
It is actually beautiful though it is sukusho that the mask is sharpened (; ^_^ A
Because I adjust it so that the dot does not overlap, it is easy to use.
The large dot (rough dot) expresses that the camera is not in focus
The elements in front are crushed and the back is made to impress.
As an application, the flow of the speed and the time of movement by cull in the whole
You can make a difference in the frame.
4K Monitor and 4K liquid tab is much more popular and easy to use the sand (noise) tone is changing the way you look at the magnification, but I can use it is troublesome and change the way you see the write-out I think it is better.
: Note that:
It is considerably heavy because it is only concealed with a mask.
I think that it is better to bring the campus only of this tone set and copy and paste if it is more than taking it from the material window to the Layer window in case of multiple pages.
中身はこんな感じになっています
マスク削っているスクショなってますけど実際にはきれいです(;^_^A
ドットが重ならないように調整していますので使いやすいです。
大ドット（荒ドット）はカメラの焦点が合っていないことを表現して
手前にある要素をつぶし奥を印象立たせられます。
応用としては全体的に間引くことで動きの速度や時間の流れを
コマ内に差を作ることもできます
４Kモニターや４K液タブがだいぶ普及して使いやすくなった砂目（ノイズ）トーンですが拡大率によって見え方変わったり、書き出して見え方変わったりと厄介ですが使えるようになると表現力マシマシだとおもいます。
：注意点：
マスクで隠してあるだけですので結構重たいです。
複数ページの場合は素材ウィンドウからレイヤーウィンドウにもっていくよりかは、このトーンセットだけのキャンパスを作っておいてコピペで持ってきた方が良いと思います。
Other materials by taguchi-hajime
Popular “Layer template” materials
New materials
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