這是一個有點華麗和優雅的無縫圖案（色調）。
共有14件（包括圖案中是否有白色背景），圖案有8種設計。
紡織品，如衣服，和服和禮服，織物，如窗簾和沙發，
布配件，如門廊，背部和領帶，或房間壁紙怎麼樣？
ちょっぴりゴージャスかつエレガントなシームレスな模様のパターン（トーン）です。
合計14点（模様内の白地の有無のものをあわせて）で、図柄は8種類のデザインがあります。
洋服や着物やドレスなどのテキスタイルや、カーテンやソファなどのファブリック、
ポーチやバック・ネクタイなど布小物製品や、部屋の壁紙などにいかがでしょうか。
我使手稿大小盡可能寬，使自然無縫。
我認為，在縮小和使用時，連續模式已經變得非常少。
我認為，在縮小和使用時，連續模式已經變得非常少。
當放在畫布上時，我認為100%顯示是否很大，
材料註冊率為 60%（第一個尺寸為 60%）。
請放大和縮小到您選擇的大小。
材料註冊率為 60%（第一個尺寸為 60%）。
請放大和縮小到您選擇的大小。
當角色出現在漫畫作品中時，假設有各種大小，
我努力調整點單位，使看起來美麗，即使我使用它大或小。
也認為圖像不會崩潰時，使用小
我們敢於創建沒有二值（單色）的抗鋸。
如果你想使用抗鋸齒，使用篩檢程式高斯模糊等。
色調粘貼，灰色，顏色等，因為它是二值資料，很容易選擇。
請安排一切手段，並利用它。
A slightly gorgeous and elegant seamless pattern (tone).
There are a total of 14 points (including those with or without a white background in the pattern),
and there are 8 types of designs.
Textiles such as clothes, kimonos and dresses, fabrics such as curtains and sofas,
How about it for small cloth products such as pouches and back ties, and for wallpaper in your room?
I made the manuscript size as wide as possible so that it would be natural and seamless.
I think that the number of continuous patterns that inevitably appear when changed to a smaller pattern
and used has decreased considerably.
I think that the number of continuous patterns that inevitably appear when changed to a smaller pattern
and used has decreased considerably.
When you drop the material on the canvas and use it
I thought it would be big if it was 100% of the original size.
Therefore, it is registered at 60%. (The first size that comes out is 60%)
I thought it would be big if it was 100% of the original size.
Therefore, it is registered at 60%. (The first size that comes out is 60%)
Assuming that the characters will appear in various sizes during the production of the manga,
I worked hard to make adjustments in dot units so that it looks beautiful regardless of whether
it is used large or small.
Considering that the image will not collapse when used small,
I dare to create it without binary (monochrome) anti-alias.
If you want to add antialiasing, use filters, gauss blur, etc.
Tone pasting, gray, coloring, etc. are binary data, so you can easily select a range.
Please arrange and use it by all means.
Please arrange and use it by all means.
★☆★ 使用例·Usage example ★☆★
我處理各種混合，如格裡紮伊耶繪畫方法，自動著色，顏色實心填充，紋理，圖層效果等。
It is processed by interweaving various things such as grisaille painting method,
automatic coloring, solid color painting, texture, layer effect etc.
automatic coloring, solid color painting, texture, layer effect etc.
A-I used it as a pattern on clothes.
By stacking multiple types, you can add depth and variation to the fabric.
Overlay effect layers that have been clipping and painted,
I colored it using layer color etc.
I dare to create it in binary (monochrome) so that the lines do not jump even if I use it small.
To prevent the contour from collapsing when used extensively
And to draw a beautiful curve
We also make adjustments in dot units.
By stacking multiple types, you can add depth and variation to the fabric.
Overlay effect layers that have been clipping and painted,
I colored it using layer color etc.
I dare to create it in binary (monochrome) so that the lines do not jump even if I use it small.
To prevent the contour from collapsing when used extensively
And to draw a beautiful curve
We also make adjustments in dot units.
Oriental style fashion / Summer dress / Medieval European style dress
B-This is an example of using fabric furniture, accessories, and miscellaneous goods.
How to make it look like a cloth is explained at the bottom.
It's also nice to use white and black upside down.
Antique sofa / tote bag / cushion / tie / vase / Curtains and wallpapers
C-In order to make the pattern look natural, I created it in a wide manuscript size
and repeated trial production and checking of the design many times.
D-For some patterns, the continuous pattern peculiar to seamless is adjusted so that it is as
inconspicuous as possible. (To prevent accidental appearance when made small and used extensively)
inconspicuous as possible. (To prevent accidental appearance when made small and used extensively)
★☆★ 使用素材一覽&使用部位 ★☆★
List of material used & locations used
List of material used & locations used
A... Arabesque style (pattern)
B... Arabesque style (pattern)
C1... Paisley (pattern)
C2... Paisley : White-mat(pattern)
D1... Paisley (pattern)
D2... Paisley : White-mat(pattern)
E1... Indian-chintz(pattern)
E2... Indian-chintz : White-mat(pattern)
F1... Indian-chintz(pattern)
F2... Indian-chintz : White-mat(pattern)
G1... Western-chintz(pattern)
G2... Western-chintz : White-mat(pattern)
H1... Western-chintz(pattern)
H2... Western-chintz : White-mat(pattern)
B... Arabesque style (pattern)
C1... Paisley (pattern)
C2... Paisley : White-mat(pattern)
D1... Paisley (pattern)
D2... Paisley : White-mat(pattern)
E1... Indian-chintz(pattern)
E2... Indian-chintz : White-mat(pattern)
F1... Indian-chintz(pattern)
F2... Indian-chintz : White-mat(pattern)
G1... Western-chintz(pattern)
G2... Western-chintz : White-mat(pattern)
H1... Western-chintz(pattern)
H2... Western-chintz : White-mat(pattern)
另一個... Rose brush set（Sold separately-1 ID:1728105）
另外兩個... Frills laced ribbon brushes + etc（Sold separately-2 ID:1786303）
另外三個... Sunflowerbrush set（Sold separately-3 ID:1716712）
另外四個... Grass Brush 1 Normal/bent + background 2 images（Sold separately-4 ID:1746174）
再來五個... 60 accessory brushes（Sold separately-5 ID:1803804）
另外六個... Lily brush（Sold separately-6 ID:1751287）
另外七個... Rococo Decorative Brush（Sold separately-7 ID:1756911）
另外八個... Dirty textured Brushes-Rev.（Sold separately-8 ID:1736234）
另外兩個... Frills laced ribbon brushes + etc（Sold separately-2 ID:1786303）
另外三個... Sunflowerbrush set（Sold separately-3 ID:1716712）
另外四個... Grass Brush 1 Normal/bent + background 2 images（Sold separately-4 ID:1746174）
再來五個... 60 accessory brushes（Sold separately-5 ID:1803804）
另外六個... Lily brush（Sold separately-6 ID:1751287）
另外七個... Rococo Decorative Brush（Sold separately-7 ID:1756911）
另外八個... Dirty textured Brushes-Rev.（Sold separately-8 ID:1736234）
★☆★ 収録パターン（柄模様トーン）素材一覧 ★☆★
記錄模式材料清單
記錄模式材料清單
★☆★ さまざまなアレンジ方法の説明 ★☆★
解釋各種安排方式
解釋各種安排方式
如何使它看起來像織物
創建一個色調的實心層，並將其粘貼在您想要看起來像織物的部分上。
將"點設置"更改為"線"從層屬性，
更改"角度"值。
（在此示例中將其設置為 45）
應用一層顏色，使主色變為白色。
更改音調和密度音量，
請根據您的喜好進行調整。
創建一個色調的實心層，並將其粘貼在您想要看起來像織物的部分上。
將"點設置"更改為"線"從層屬性，
更改"角度"值。
（在此示例中將其設置為 45）
應用一層顏色，使主色變為白色。
更改音調和密度音量，
請根據您的喜好進行調整。
F-如何反轉白色和黑色（音調反轉）
匹配要翻轉的圖層，然後在頂部功能表中匹配
"層"→"新顏色校正層"→選擇"倒音"。
頂部創建"音反轉層"，下圖為倒置。
（您也可以用顏色進行）
匹配要翻轉的圖層，然後在頂部功能表中匹配
"層"→"新顏色校正層"→選擇"倒音"。
頂部創建"音反轉層"，下圖為倒置。
（您也可以用顏色進行）
G-更改為螢幕音或灰色
降低層的不透明度，如果是灰色的，請按現在使用，
要製作音調，請按一下圖層屬性中的"效果"→"音調"。
降低層的不透明度，如果是灰色的，請按現在使用，
要製作音調，請按一下圖層屬性中的"效果"→"音調"。
如果要更改地面顏色，在色域規格中指定"透明"，
做一個選擇範圍，並在那裡油漆。
（製作精選庫存對於以後更改顏色很有用）
做一個選擇範圍，並在那裡油漆。
（製作精選庫存對於以後更改顏色很有用）
H 更改為顏色
為顏色層塗上顏色，並將其放置在圖案層上方。
使用層效應進行各種更改並更改不透明性以獲得您喜歡的顏色。
原稿/層效果屏/硬光/加法+不透明60%
為顏色層塗上顏色，並將其放置在圖案層上方。
使用層效應進行各種更改並更改不透明性以獲得您喜歡的顏色。
原稿/層效果屏/硬光/加法+不透明60%
I-添加防化劑（使其變灰模糊）
將圖像層轉換為流氓。
選擇要轉換的層並按右鍵或
從頂部功能表中的層中選擇"轉換層"並進行選擇
指定"拉斯特層"和"表達色灰色"，然後選擇確定。
從頂部功能表上的篩檢程式中選擇"模糊"→"高斯模糊"
→改變"模糊範圍"的數量，以獲得所需的模糊。
原始手稿模糊範圍 16 · 模糊範圍 24
（層效果使用螢幕）
原始手稿模糊範圍 16 · 模糊範圍 24
（層效果使用螢幕）
★ ☆ ★ ☆ ★ ☆ ★ ☆ ★ ☆ ★ ☆ ★ ☆ ★ ☆ ★ ☆ ★ ☆
説明畫像は図案が見やすいように2枚レイヤーを重ねたり、フチの線を太くしているものがあります。
説明用の畫像はサンプルなので線を入れていますが、実際の素材には入っていません。
説明用の畫像はサンプルなので線を入れていますが、実際の素材には入っていません。
一些解釋性圖像有兩層重疊或邊界線變厚，使設計很容易看到。
由於用於解釋的圖像是示例，我放置了一行，但它不包括在實際材料中。
由於用於解釋的圖像是示例，我放置了一行，但它不包括在實際材料中。
600DPI=16釐米（3782px）四個位置にて個位置しています
它創建于 600DPI / 16 釐米 （3782px） 正方形。
它創建于 600DPI / 16 釐米 （3782px） 正方形。
自然なシームレスになるよう原稿サイズをなるべく広くして作りました。
縮小して使用するときにどうしても出てしまう連続模様がだいぶ少なくなったかと思います。
縮小して使用するときにどうしても出てしまう連続模様がだいぶ少なくなったかと思います。
キャンバスにドロップした時、100％表示だと大きいかと思い、
素材登録は60％にしています（最初に出てくるサイズは60％のものです）。
お好みのサイズに拡大縮小してご使用くださいね。
素材登録は60％にしています（最初に出てくるサイズは60％のものです）。
お好みのサイズに拡大縮小してご使用くださいね。
漫画の作中にキャラが登場する際、さまざまなサイズになることを想定し、
大きく使っても小さく使ってもキレイに見えるようドット単位での調整を頑張りました。
小さく使ったときに画像が崩れないようにとも考えて
あえて二値（モノクロ）のアンチエリアス無しで作成しております。
アンチエイリアスをつけたい場合は、フィルタ・ガウスぼかしなどを使ってください。
トーン貼り・グレー・彩色などは、二値データなので簡単に選択範囲がとれます。
ぜひともアレンジしてご活用くださいね。
A slightly gorgeous and elegant seamless pattern (tone).
There are a total of 14 points (including those with or without a white background in the pattern),
and there are 8 types of designs.
Textiles such as clothes, kimonos and dresses, fabrics such as curtains and sofas,
How about it for small cloth products such as pouches and back ties, and for wallpaper in your room?
I made the manuscript size as wide as possible so that it would be natural and seamless.
I think that the number of continuous patterns that inevitably appear when changed to a smaller pattern
and used has decreased considerably.
I think that the number of continuous patterns that inevitably appear when changed to a smaller pattern
and used has decreased considerably.
When you drop the material on the canvas and use it
I thought it would be big if it was 100% of the original size.
Therefore, it is registered at 60%. (The first size that comes out is 60%)
I thought it would be big if it was 100% of the original size.
Therefore, it is registered at 60%. (The first size that comes out is 60%)
Assuming that the characters will appear in various sizes during the production of the manga,
I worked hard to make adjustments in dot units so that it looks beautiful regardless of whether
it is used large or small.
Considering that the image will not collapse when used small,
I dare to create it without binary (monochrome) anti-alias.
If you want to add antialiasing, use filters, gauss blur, etc.
Tone pasting, gray, coloring, etc. are binary data, so you can easily select a range.
Please arrange and use it by all means.
Please arrange and use it by all means.
★☆★ 使用例・Usage example ★☆★
グリザイユ画法・自動彩色・色ベタ塗り・テクスチャ・レイヤー効果などいろいろ織り交ぜて加工しています。
It is processed by interweaving various things such as grisaille painting method,
automatic coloring, solid color painting, texture, layer effect etc.
automatic coloring, solid color painting, texture, layer effect etc.
A-I used it as a pattern on clothes.
By stacking multiple types, you can add depth and variation to the fabric.
Overlay effect layers that have been clipping and painted,
I colored it using layer color etc.
I dare to create it in binary (monochrome) so that the lines do not jump even if I use it small.
To prevent the contour from collapsing when used extensively
And to draw a beautiful curve
We also make adjustments in dot units.
By stacking multiple types, you can add depth and variation to the fabric.
Overlay effect layers that have been clipping and painted,
I colored it using layer color etc.
I dare to create it in binary (monochrome) so that the lines do not jump even if I use it small.
To prevent the contour from collapsing when used extensively
And to draw a beautiful curve
We also make adjustments in dot units.
Oriental style fashion / Summer dress / Medieval European style dress
B-This is an example of using fabric furniture, accessories, and miscellaneous goods.
How to make it look like a cloth is explained at the bottom.
It's also nice to use white and black upside down.
Antique sofa / tote bag / cushion / tie / vase / Curtains and wallpapers
C-In order to make the pattern look natural, I created it in a wide manuscript size
and repeated trial production and checking of the design many times.
D-For some patterns, the continuous pattern peculiar to seamless is adjusted so that it is as
inconspicuous as possible. (To prevent accidental appearance when made small and used extensively)
inconspicuous as possible. (To prevent accidental appearance when made small and used extensively)
★☆★ 使用素材一覧＆使用箇所 ★☆★
List of material used & locations used
List of material used & locations used
A…Arabesque style (pattern)
B…Arabesque style (pattern)
C1…Paisley (pattern)
C2…Paisley : White-mat(pattern)
D1…Paisley (pattern)
D2…Paisley : White-mat(pattern)
E1…Indian-chintz(pattern)
E2…Indian-chintz : White-mat(pattern)
F1…Indian-chintz(pattern)
F2…Indian-chintz : White-mat(pattern)
G1…Western-chintz(pattern)
G2…Western-chintz : White-mat(pattern)
H1…Western-chintz(pattern)
H2…Western-chintz : White-mat(pattern)
B…Arabesque style (pattern)
C1…Paisley (pattern)
C2…Paisley : White-mat(pattern)
D1…Paisley (pattern)
D2…Paisley : White-mat(pattern)
E1…Indian-chintz(pattern)
E2…Indian-chintz : White-mat(pattern)
F1…Indian-chintz(pattern)
F2…Indian-chintz : White-mat(pattern)
G1…Western-chintz(pattern)
G2…Western-chintz : White-mat(pattern)
H1…Western-chintz(pattern)
H2…Western-chintz : White-mat(pattern)
別１…Rose brush set（Sold separately-1 ID:1728105）
別２…Frills laced ribbon brushes + etc（Sold separately-2 ID:1786303）
別３…Sunflowerbrush set（Sold separately-3 ID:1716712）
別４…Grass Brush 1 Normal/bent + background 2 images（Sold separately-4 ID:1746174）
別５…60 accessory brushes（Sold separately-5 ID:1803804）
別６…Lily brush（Sold separately-6 ID:1751287）
別７…Rococo Decorative Brush（Sold separately-7 ID:1756911）
別８…Dirty textured Brushes-Rev.（Sold separately-8 ID:1736234）
別２…Frills laced ribbon brushes + etc（Sold separately-2 ID:1786303）
別３…Sunflowerbrush set（Sold separately-3 ID:1716712）
別４…Grass Brush 1 Normal/bent + background 2 images（Sold separately-4 ID:1746174）
別５…60 accessory brushes（Sold separately-5 ID:1803804）
別６…Lily brush（Sold separately-6 ID:1751287）
別７…Rococo Decorative Brush（Sold separately-7 ID:1756911）
別８…Dirty textured Brushes-Rev.（Sold separately-8 ID:1736234）
★☆★ 収録パターン（柄模様トーン）素材一覧 ★☆★
Recording pattern material list
Recording pattern material list
★☆★ さまざまなアレンジ方法の説明 ★☆★
Explanation of various ways to arrange
Explanation of various ways to arrange
E-How to make it look like fabric
Create a toned solid layer and paste it over the part you want to look like a fabric.
Change "Dot Settings" to "Lines" from the layer properties,
Change the value of "Angle".
(I set it to 45 in this example)
Apply a layer color to make the main color white.
Change the number of tones and density tones,
Please adjust it to your liking.
Create a toned solid layer and paste it over the part you want to look like a fabric.
Change "Dot Settings" to "Lines" from the layer properties,
Change the value of "Angle".
(I set it to 45 in this example)
Apply a layer color to make the main color white.
Change the number of tones and density tones,
Please adjust it to your liking.
F-How to reverse white and black (inversion of tone)
Match the layer you want to flip, then in the top menu
"Layer"→"New color correction layer"→ Select "Invert tone".
A "tone inversion layer" is created on the top, and the image below is inverted.
(You can also do it in color)
Match the layer you want to flip, then in the top menu
"Layer"→"New color correction layer"→ Select "Invert tone".
A "tone inversion layer" is created on the top, and the image below is inverted.
(You can also do it in color)
G-Change to screen tone or gray
Decrease the opacity of the layer, and if it is gray, use it as it is,
To make a tone, click "Effect"→"Tone" in the layer properties.
Decrease the opacity of the layer, and if it is gray, use it as it is,
To make a tone, click "Effect"→"Tone" in the layer properties.
If you want to change the ground color, specify "Transparent" in the color gamut specification,
make a selection range, and paint it there.
(Making a stock of selections is useful for changing colors later)
make a selection range, and paint it there.
(Making a stock of selections is useful for changing colors later)
H-Change to color
Color the color layer and place it above the pattern layer.
Use the layer effect to make various changes and change the opacity to get the color you like.
Original manuscript / layer effect-screen / hard light / addition + opacity 60%
Color the color layer and place it above the pattern layer.
Use the layer effect to make various changes and change the opacity to get the color you like.
Original manuscript / layer effect-screen / hard light / addition + opacity 60%
I-Add antialiasing (make it gray with blur)
Converts an image layer to a raster.
Select the layer you want to convert and right-click or
Select "Convert Layer" from the layers in the top menu and select
Specify "Raster layer" and "Expression color gray" and select OK.
Select "Blur"→"Gauss Blur" from the filter on the top menu
→Change the number of "Blur range" to get the desired blur.
Original manuscript ・ Blur range 16 ・ Blur range 24
(Layer effect uses screen)
Original manuscript ・ Blur range 16 ・ Blur range 24
(Layer effect uses screen)
★ ☆ ★ ☆ ★ ☆ ★ ☆ ★ ☆ ★ ☆ ★ ☆ ★ ☆ ★ ☆ ★ ☆
説明画像は図案が見やすいように2枚レイヤーを重ねたり、フチの線を太くしているものがあります。
説明用の画像はサンプルなので線を入れていますが、実際の素材には入っていません。
説明用の画像はサンプルなので線を入れていますが、実際の素材には入っていません。
Some explanatory images have two layers overlapped or the border lines are thickened so that the design is easy to see.
Since the image for explanation is a sample, I put a line, but it is not included in the actual material.
Since the image for explanation is a sample, I put a line, but it is not included in the actual material.
600dpi・16cm（3782px）四方にて作成しています。
It is created in 600dpi / 16cm (3782px) square.
It is created in 600dpi / 16cm (3782px) square.
織物圖案（紡織品圖案） 布の柄（テキスタイルパターン）
-
A館-阿拉伯風Arabesque A館-アラベスク風 Arabesque
-
B館-阿拉伯風Arabesque B館-アラベスク風 Arabesque
-
C1 - 佩斯利·佩斯利 C1館-ペイズリー Paisley
-
C2 - 佩斯利 / 帶白色地面的佩斯利 ： 白色-mat C2館-ペイズリー/白地付 Paisley : White-mat
-
D1 - 佩斯利·佩斯利 D1館-ペイズリー Paisley
-
D2 - 佩斯利 / 帶白色地面的 Paisley ： 白色-mat D2館-ペイズリー/白地付 Paisley : White-mat
-
E1館-印度更佳風 Indian-chintz E1館-インド更紗風 Indian-chintz
-
E2館-印度更佳風/帶白地 Indian-chintz ： White-mat E2館-インド更紗風/白地付 Indian-chintz : White-mat
-
F1館-印度更佳風 Indian-chintz F1館-インド更紗風 Indian-chintz
-
F2館-印度更佳風/帶白地 Indian-chintz ： White-mat F2館-インド更紗風/白地付 Indian-chintz : White-mat
-
G1館-西洋更紗風 Western-chintz G1館-西洋更紗風 Western-chintz
-
G2館-西洋更佳風/帶白地的Western-chintz ： White-mat G2館-西洋更紗風/白地付 Western-chintz : White-mat
-
H1館-西洋更紗風 Western-chintz H1館-西洋更紗風 Western-chintz
-
H2館-西洋更佳風/帶白地的Western-chintz ： White-mat H2館-西洋更紗風/白地付 Western-chintz : White-mat
「背景職人の館」的其他素材
「素材集」的人氣素材
最新素材
徽章
-
MVP ◆針對問題投稿了眾多適切的回答，對社群有顯著貢獻的用戶。每3個月一次，會依據期間內獲得的點數選出MVP用戶，並進行表揚。 -
NVP（New Valuable Player） ◆繼MVP後，對社群營運做出良好貢獻的用戶。將從不曾獲選為MVP的用戶中，依據獲得的點數進行評選、表揚。 -
官方推廣大使 ◆從被證明為優良回答用戶的MVP獲獎者中選出社群中最優異的回答者。並經審查後由本社委託就任。※舊名稱為「Evangelist」 -
CELSYS公認Moderator ◆Moderator為會使用日文及其他語言的CELSYS公認工作人員。由於並非軟體或創作的專業人士，Moderator無法直接為用戶解決疑問，但能在語言、交流方面提供支援，幫助用戶們順利地進行溝通。 -
CELSYS官方為與營運相關的官方帳號。