這幅畫的渲染和細節(除了線稿)完全用這把畫筆和我上傳的混合工具 (手指/暈染/模糊) 筆刷完成

- 壓力本身,尖端可以是細也可以是粗的;
- 透過不透明度;
- 透過基於壓力調整不透明度(附加元件)(範例中強調,我使用至少 50% 或以上);
- 透過濕邊調整,啟用後能產生美麗的效果;
我會主動調整邊緣的透明度和亮度,以達到最佳效果。


The render and details of this art (except for the lineart) was created only with this brush and my uploaded blend tool (finger/smudge/blur) brush

- the pressure itself, the tip can be either thin or thick;
- through opacity;
- through the opacity adjustment (add-on) based on pressure (underlined in the example, I use a minimum of 50% and higher);
- through the wet edges adjustment, which, when enabled, allows for a beautiful effect;
I actively adjust the transparency and brightness of the edges for the best effect.

